Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.
An essay film exploring the thirteen United States Presidents that have led the country through war and conflict from 1950 to 2025.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
An examination of the prisoner abuse scandal involving U.S. soldiers and detainees at Iraq's Abu Ghraib prison in the fall of 2003.
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Deserter follows Ryan Johnson and his wife Jen during their flight from the Central Valley of California to Toronto, Canada. Johnson deserted the American army after hearing that he was going to be deployed to Iraq, despite assurances that this would not happen. Like many of his contemporaries, Johnson only joined the army because he could not find a job, and he sees the war in Iraq as both illegal and immoral. Desertion means imprisonment, so he decides to flee, realising that there will be no way back. Johnson seeks advice from various helpful organisations that guide him and Jen to Canada. The employees include both Vietnam veterans and young soldiers who have already served in Iraq.
A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.
Soundtrack to War showcases spontaneous music performances by a striking cast of battle weary. Performances made without rehearsal, under the blaring Iraqi sun, with a destroyed city, the distraction of gunfire and bursting mortar shells forming a frightening backdrop. American culture came into Iraq, wired into its tanks and helicopters - a live soundtrack to war, with lyrics such as Let The Bodies Hit The Floor, Round Out, The Tank and Bombs over Baghdad, being memorised by every soldier and forever linked to the violent events they accompanied. As the war extended into a second year, many started writing and performing their own songs. It was rock, rap & roll.
Comical Ali is a spoof documentary about the thus-nicknamed former Iraqi Minister for Information, Mohammed Saeed Al-Sahaf, whose bravura performances at press conferences throughout the brief Iraq War of 2003 turned him into a global icon.
On the eve of Operation Desert Storm in the first Gulf War, the Italian government deployed eight Tornado Fighter-bombers. Gianmarco Bellini was one of these pilots. He was shot down, captured, and abused, but returned and was able to rise to the rank of General.
Explore the world of injured US soldiers - their loss, pain, redemption and rise as they return to an America which is ill-equipped for them. When a missile exploded next to his helicopter, Walt Fricke's life changed forever.
Michael Blackwell entered the United States Navy on Veteran's Day, 2002 and served for more than nine years. While stationed with the now-disestablished Fleet Combat Camera Group Pacific, he served alongside United States Army 5th and 10th group Special Forces in Iraq.
The feats of Muhammad Ali's remarkable life. In 1990, the boxing legend traveled to Iraq to press a plea for peace and negotiate with Saddam Hussein for the release of U.S. civilians taken hostage after Iraq's invasion of Kuwait. Ali risked his reputation, health and safety for the freedom of prisoners held by Hussein as "human shields" to deter U.S. military strikes. Only six weeks after Ali brought 15 hostages back home to their relieved families, Operation Desert Storm bombarded Iraq.
Programming the Nation? takes an encompassing look at the history of subliminal messaging in America. According to many authorities, since the late 1950s subliminal content has been tested and delivered through all forms of mass-media including Hollywood filmmakers Alfred Hitchcock and William Friedkin. Even our modern military has been accused of these practices in the "war on terror" against soldiers and civilians both abroad and at home. With eye-opening footage, revealing interviews, humorous anecdotes, and an array of visual effects, the film categorically explores the alleged usage of subliminals in advertising, music, film, television, anti-theft devices, political propaganda, military psychological operations, and advanced weapons development. Director Jeff Warrick makes it his personal mission to determine if these manipulative tactics have succeeded in "programming the nation?" Or, if subliminal messaging belongs in the category of what many consider urban legend.
Follow five women reporters and the challenges they face as they work in Iraq during the Second Gulf War. Molly Bingham is an experienced photographer who was held for several days at Abu Ghraib prison at the start of the war. Marie Colvin is a reporter who lost her eye to a grenade while working in Sri Lanka. Janine di Giovanni has to deal with the difficulties of becoming a mother and still working to fulfill her duties as a journalist. Mary Rogers is a camerawoman who continues to put herself in harm's way in an effort to get the proper footage to cover her stories.
On Sept. 11, 2001, deep inside a White House bunker, Vice President Dick Cheney was ordering U.S. fighter planes to shoot down any commercial airliner still in the air above America. At that moment, CIA Director George Tenet was meeting with his counter-terrorism team in Langley, Virginia. Both leaders acted fast, to prepare their country for a new kind of war. But soon a debate would grow over the goals of the war on terror, and the decision to go to war in Iraq. Cheney, Defense Secretary Donald Rumsfeld, and others saw Iraq as an important part of a broader plan to remake the Middle East and project American power worldwide. Meanwhile Tenet, facing division in his own organization, saw non-state actors such as Al Qaeda as the highest priority. FRONTLINE’s investigation of the ensuing conflict includes more than 40 interviews, thousands of pages of documentary evidence, and a substantial photographic archive.
BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.
On the eve of the 2003 U.S. invasion, filmmaker Shelley Saywell traveled to Iraq to film the lives of ordinary people - especially young Iraqis - who were caught between Saddam's tyranny and a devastated economy (for which they blamed the West). Now, Saywell returns to find the people she met and interviewed before the war. What happened to them? Have they survived? Have their feelings about Saddam and the U.S. changed, or remained the same?
After 23 years in exile, Tariq Hashim returned to his homeland, Baghdad, where he encountered political turmoil, perpetual fear and violence. Shot in only 16 hours, Hashim’s film 16 Hours in Baghdad reveals the multi layered social landscape of Baghdad today. The film won the Golden Hawk Award at the 4th Arab Film Festival in Rotterdam, 2004.