Brush the Teddy's Toes

Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.

An anthropomorphic rat repeatedly wakes up in its bed, leaves, presumably goes about its life, and returns back home in the evening. All we are offered by way of context is a single, hand-drawn shot of the rat’s proletarian room.

Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.

An old lady’s house is full of boxes filled with memories. Every Wednesday, along with her cockroach friends, she tells her granddaughter wonderful stories. But as the little girl grows bigger, they start running out of space inside the house.

Ambitious artist Jabari attempts to balance success and love when he moves into his dream Manhattan apartment and falls for his next-door neighbor.

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

An artist looks back on his younger years at the Chongqing Art Academy in the turbulent 1990s. The selection and demands used to be killing. He was close friends with two boys and a girl. They fought with local youngsters and tried to give each other pep talks. Parallels with the childhood years of his parents, during the Cultural Revolution, also show violence and gun battles. Semi-autobiographical, with motion capture.

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.

A widowed field mouse must move her family -- including an ailing son -- to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.

‘Who Named the Lily?’ celebrates and laments the complicated history of the Crystal Palace. Monster Chetwynd plays the ‘Fact Hungry Witch’, who explores the story of the Amazonian waterlily, and reveals its links to engineering. The artwork brings to light the politics of Paxton’s developments in industry and architecture, however, the protagonist of this story is the waterlily – a catalyst for ground-breaking technological advancement.

A short animated biopic of popular and fashionable French painter Raoul Dufy.

First published in 1922, Margery Williams' enchanting story about a toy rabbit is a classic of children's literature. This gentle rendition comes alive through Meryl Streep's soothing narration, George Winston's beautiful music score, and David Jorgensen's charming illustrations.

An animated science-fiction short directed by Matthew Hood. A mechanical man finds his routine of life disturbed by illness from an unusual source.

The late artist Georgia O'Keeffe, provides advice on life and art.

A wise old man teaches a boy the art of building. The boy develops outstanding skills. He builds the most magnificent palaces, but something inside him atrophies. The flip side of humanity, the shadow, grows beyond him.

A poor artist accidentally discovers the use of blood to paint his works and now he's on the search for the perfect color.

Interview Record of New Artists

We hear a whole catalogue of technical, moral, and financial instructions, ranging from practical to absurd, each introduced by “It works . . . ,” as in “It works in the shops and in all of the malls; it works when you cut off your microscopic balls. . . . It works if you heat up the nickel, if you save up the dime, and on a blackballer I wasted my prime. . . However, a single glance at the homeless protagonist and his forlorn setting suffices to clarify that none of this advice has worked all that well for him.