An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
Did Cartier dream of making a country from this land of a million birds? In his records of his exploration he certainly marvelled at seeing the great auks that have since disappeared from Isle aux Ouaiseaulx, the razor-bills and gannets that are gone from Blanc-Sablon, and the kittiwakes from Anticosti, all the winged creatures of all the islands which he described as being "as full of birds as a meadow is of grass". And that's not even counting the countless snow geese.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Impuros
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Natura Bizia
Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.
Sin libertad: 20 años después
The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.
The film starts in Bermeo and ends in Gernika. A magical trip taking us from the scent of salt air and the fishing atmosphere of Bermeo port to the roots of the Tree of Gernika.
A peculiar in-depth reflection on the concept of homeland reflecting the atmosphere of Basque farmhouses with the participation of emblematic figures in the Basque culture of the period, like the bertsolaris (improvisers of Basque verse) Valentin Enbeita and Jon Lopategi and the Basque dancer Victor Olaeta. To avoid the censorship in place at the time, Elortza entitled the film 'Erria' (Country) rather than 'Aberria' (Homeland).
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
The story of how a humble Basque rural sport called zesta punta —or jai alai— was successfully exported from the Basque Country to nations as different as Egypt, China, the Philippines, Cuba, Mexico or the United States. In these places, the pelotaris were considered true artists at the fronton. But the splendour of the jai alai, the happy feast, could not last forever.
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.