Blum

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A group of children camp in the yard of their grandmother's house in the outskirts of El Yunque. Plunged into a fantastic collective dream, the children get lost in El Yunque and experience the adventure of finding their way home, as they meet themselves and three magical characters who represent our cultural mix: an indian, a black freed slave, and a Spanish gentleman.

The famous fairy tale of Cinderella is adapted to our times, considering as background the present situation of Puerto Rican coffee growers. The story is set in Lares, Puerto Rico, at a time close to Christmas. Miosotis’s father has died and Ava Rice, his widow, wants to sell his family coffee farm to a foreign company, whose monopoly on the island continues to displace the country's coffee growers.

Three shipwreck survivors reach the shores of a deserted island used to carry out military experiments. The issue of military occupation and its consequences on the civilian population is presented in this microcosm, composed by the three characters.

Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

Collage

Marital Rape Is Real is a short film adapted from several published essays on marital rape by Shanon Lee.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

A sensual coming-of-age drama direct — It depicts a precarious relationship between a homosexual woman and a man who was picked up by her and ends up living with her

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.

A meditation on freedom and technological approaches to manifest destiny.

Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.

Demi swims across the screen leaving traces of blue and china ink in unexpected ways.

SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).