Blum

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

In this thriller, television reporter Kate Ryan de Meléndez investigates the death of two radical Puerto Rican activists, whom she begins to believe may have been framed and murdered by undercover American agents.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Experimental feature about two young men trying to make a film.

In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.

Presents a socio-economic analysis of present day Puerto Rico. Uses archival footage, re-enactments of historic events, and interviews with participants to recount the long history of U.S. involvement in Puerto Rico and the anti-colonial struggle.

Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.

Elena is on a mission to finish a list of things that might bring her happiness. In her ongoing quest, she might need a change of perspective.

In December, 1941, using music by Stravinsky, this film provides a reaction to the Japanese attack on Pearl Harbor. An egg is smashed by a hammer; red color with white and then blue dominates the frame. Blue paint runs; small bulbs float. The dark colors spread. White, red, blue, and black dominate the frame. Then comes fire. The bulbs burn and break. A broken bulb's filaments are exposed.

Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him, and lead a better life outside NYC.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)

Two couples see their lives transformed after the tragedy of losing a child. Both families face the loss in their own way, allowing feelings of guilt, deny, and jealousy to surface, until family disintegration is almost inevitable.

Two stories intersect, with violence as a common axis. An inside look into the world of youth boxing, full of championship illusions, combined with jealousy and envy.

Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series. Preserved by the Academy Film Archive in 2013.

Inside the claustrophobic scenery of a fancy apartment in the city of Frankfurt three men and a woman lock themselves in for ten days. Oskar and Julia are a couple. They have sex and let themselves be filmed. Benjamin and Bastian are behind the camera, trying to get pictures of absolute intimacy. Closeness as it can only be found among lovers.

Hand painted, scratched animated Super 8 film examining the contradictions of the psychopathology of colonization.