A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
CREMASTER 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, it represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
Beneath towering Brutalist architecture, a man is driven to do what must be done.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
An ambient representation of depression with a slowly fading score building towards an uncertain climax.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia both by Gioacchino Rossini.
TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.
Two ballet dancers perform a dance enhanced with surreal after-image visuals.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
Attempt of the artist's detached view of what is happening in the world.
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
Lumiere's The Arrival Of A Train in Russian.
Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".
"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.