Incorrect Continuity

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.

In a dry, flat desert, five new humans grow from under the soil around a crow and a chair, which calls to them.

Child on a Chess Board

When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.

The Sarah Vaccine is a technicolor COVID nightmare from the deranged mind of Sarah Squirm. Your government has failed you...but SARAH never will! CW: excessive gore, poop, vomit, blood

By painting and scratching directly on celluloid strips and then duplicating each image for two or more frames, Brakhage produced a flickering cycle of abstract shapes that bespeak the restlessness of his own character and sensibility; the titles of the segments (which Brakhage also intended to function as freestanding films) further emphasize his rejection of collective thinking in favor of personal vision. I..., proposes an unstable image of the self with its centerless collisions of diverse imagery. Small black shapes are superimposed over diffuse colors, and each moment seems to consume and obliterate the last in an emotionally charged rush that suggests a consciousness terrified of stasis and perpetually seeking renewal.

Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.

August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

An afternoon of training for Olympic diver Greg Louganis transforms into a visual poem about freedom, the flight of the spirit, and the astonishing physical prowess of which the human body is capable. The title of this award-winning short film alludes to the mythical kingfisher, a harbinger of calm after the storm and a symbol of grace, elegance, and vigor.

Letters from a Window is clearly structured. On the visual level it consists solely of paused film frames, hard cuts of different lengths. The stunning, rapidly changing images appear like brief impressions of a world that has been brought to its knees by a faceless power. The views of people, places, and objects constantly change. On the sound level, in counterpoint to the staccato of the dystopian flood of images, we hear a warm, calm woman’s voice, lovingly and wistfully addressing one “N.”, who might be a man or a woman, in a continuous flow of words. She refers directly to the images, as if she could see them at the cinematic window as she speaks.

Beyond all human restraint lies one's lugubrious layers of paint.

Created for the LA Guild of Puppetry's 48hr Puppet Film Project 2021, A Game of Fate is a short puppetry film that utilizes the project's theme (gratitude), object (wood), and action (laugh) to show the unique challenge Ernest faces and the game he must play to keep his life with the help of an unexpected ally.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

A short experimental film about a fire hydrant, a busy sidewalk nestled between an electrical post and a building.

There is nothing left to do but complain.