"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.
Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
One of the first movies ever made.
Documentary about the Belgian filmmakers Jean-Pierre and Luc Dardenne trying to reveal their 'secret working method'
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The Tsar visits the Russian embassy
Early Balkan footage.
A group of Macedonian women are shown hard at work.
Silent documentary short showcasing a fashion show in the late twenties set at the Côte d'Azur.
Oscar-winning filmmaker Julia Reichert reflects on the social, economic and personal forces that led to her career as a pioneering documentarian.
Documentary footage of the author and his two daughters at home.
An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.
In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.