Das Haus der guten Geister

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

A short documentary exploring the theatrical release of Just Jaeckin's Emmanuelle (1974) in Ontario, Canada, at the time of a major shift in its provincial film censorship regime. What followed was a new era in the Ontario government's uneasy dance with film, a debate over art and morality — not only about sex on screen, but about who gets to decide what is too much, too far, or too French.

Director Scheffer registered a performance of the Tea Opera by Chinese composer Tan Dun (who won an Oscar in 2001 with his score for Crouching Tiger, Hidden Dragon). Scheffer interlaces the images with interviews with Dun, stage director Pierre Audi and librettist Xu Ying, about the opera and the role tea and oriental philosophy play in this work. Using monochrome, sometimes abstract images (in yellow, blue, red and green), close-ups of plants and flowers and images of the Chinese nature and people (sometimes accelerated or decelerated, sometimes in black-and-white), he mirrors the stylised opera performance and Dun's reflective music.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.

About a group of door-to-door salesman who try to sell vacuum cleaners from "Vorwerk", a German manufacturer.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

Widespread closures threaten the very existence of live theater in America. A traditional career as an opera singer seems less and less viable. And yet: In spite of a system stacked against them, young singers continue to follow their calling, risking everything to gain entry into fiercely competitive apprenticeship programs. In VHO’s searing, intimate new documentary film, 5 young opera singers across America share a year of their lives with unprecedented access. What is driving their ambition? Who will “make it”? And what does success even mean to the next generation?

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

On 18th of December 2017, the Filarmonica Teatro Regio Torino, directed by Timothy Brock, presented "The Gold Rush" by Charles Chaplin, with live performance of the soundtrack. But let's go back a few days: this short film takes us in the backstage of the concert!

'La Mamma Morta’ is an aria from the opera Andrea Chenier that is also well-known for its use in a memorable sequence in the Oscar award-winning Philadelphia. Thirty years on, this new short film from WNO includes a brand-new recording of the aria featured alongside recreated scenes that better encapsulate the perspectives of people living with HIV today. To mark World AIDS Day 2023, the Welsh National Orchestra released a special new version of La mamma morta, featuring WNO Orchestra, soprano Camilla Roberts and Nathaniel Hall from Channel 4’s It’s a Sin. Released as part of the last rendition in the Three Letters project, this film aims to tackle societal stigma around HIV.