Words Are Limited, Feelings Are Not

Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.

Experimental 8mm film by Karpo Godina.

Experimental 8mm film by Karpo Godina.

Experimental 8mm film by Karpo Godina.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

For a long time, the Adriatic Sea used to be Central Europe's only link to the orient. This small sea became a symbol of entry to the vast, exotic world, allowing the city of Venice to call itself "Queen of the Seven Seas".

This experimental nature documentary by Minna Rainio and Mark Roberts depicts climate change and the wave of extinction from the point of view of our near future. Actually, it depicts the age we live in now, or rather its fateful consequences.

The film shows the various stages of the Stahlhelm's integration into the NSDAP and the Third Reich.

A film about the Nuremberg Party Congress of the NSDAP in 1929.

Report from the party congress of the Liberal Democratic Party of Germany (LDPD) from April 5 to 7, 1982 in Weimar.

A film about problems in providing the population with housing that meets their needs. Affected citizens and representatives of the responsible state institutions give their views.

The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.

The 5th anniversary of the inner-German wall to West Germany and West Berlin is on the agenda. The necessity of erecting the border is illustrated by comparing the situation in 1939 and the situation in the summer of 1961 with regard to the "threat of intervention" by the Western powers. Berlin people and GDR border guards are interviewed.

Short film about seals, the hunt for them and how they are processed afterwards.

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.

A fearless horse bonds two men to each other and to the traditions that define their community.

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.

It has been over one hundred years since M. K. Čiurlionis left his lasting imprint on Lithuanian culture. He was a composer, painter, genius, and madman who created an entirely new space, new context, and new universe.