Mosfilm, les chefs-d'oeuvre du cinéma russe

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

A breathtaking investigation into blockbusters, a film genre that enjoys worldwide success yet keeps its secret weapon well hidden backstage in Hollywood. The blockbuster appeals to a very wide audience, from 7 to 77 years and from Paris to Beijing. These films, which have boosted the film industry, started out with "Jaws" and "Star Wars" and are still prospering with Avatar or Alice in Wonderland. To succeed, the films must meet a few precise criteria, one of them being their cost - at 100 million dollars minimum. But in Hollywood, the films' ingredients are a well-kept secret; perhaps for fear of discovering that the studios' house rules are not as rosy as in certain fruitful happy endings? The pressure and the stakes are colossal. This fascinating documentary reviews the numerous professions affiliated with the blockbuster, via interviews with producers of the major studios (Walt Disney Studio, 20th Century Fox...)...

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

"Trotsky and Mexico, two revolutions of the twentieth century" tells us of the famous Russian revolutionary asylum by President Lazaro Cardenas in Mexico.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

A documentary celebrating 25 years of flemish subsidised cinema.

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.

Capturar (Las 1001 novias)

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.

Compilation short film about the Communist Revolution and Soviet Union.

Friends, family, co-stars and admirers of actor Steve McQueen talk about his life and his movie career.

A documentary that uncovers the careers of a population of entertainers never heard from before: Black actors in Italian cinema. With modern day interviews and archival footage, the documentary discloses the personal struggles and triumphs that classic Afro-Italian, African-American and Afro-descendant actors faced in the Italian film industry, while mirroring their struggles with those of contemporary actors who are working diligently to find respectable, significant, and non-stereotypical roles, but are often unable to do so. Blaxploitalian is more than an unveiling of a troubled history; it is a call-to-action for increased diversity in international cinema through the stories of these artists in an effort to reflect the modern and racially diverse Italy.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.