Imphaldagi

Lazy Boy unfolds in long, unhurried takes that mirror the stillness of its subject: a full-time furniture salesman in the South Bay of Los Angeles, working through the quiet despair of an economic recession. With customers scarce and sales impossible, the film lingers on stalled transactions and empty showrooms, transforming the monotony of labor into a portrait of endurance.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Beyond the borders of the waking world lie strange dream-realms, where star forms transmit rainbows and aqueous flowers birth moon-pearls. Toby Tatum's The Realms Beyond the Screen is an invitation to journey into the landscapes of your deepest imagination.

Hello ladies and gentlemen. In this video, Matthew is going to be showing Dark Souls from start-to-finish (or as much of it as he can) and commentating on it as he goes.

A Lutheran pastor travels from the Bronx, NY to Phillipsburg, NJ to visit a reclusive hoarder.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.

Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.

A man stuck at a dead-end job must reckon with a figure from his past.

An unhinged, diaristic examination of devastating friendship breakups.

In the deep of autumn, a woman faces fragments of memory and unease, unsure if she's mourning the past or herself.

A woman gets lost in the woods.

The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.

On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Os Cães!

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.