What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.
Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.
A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.
Briser le code
Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.
In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in the United States and explores the shifting landscapes of the nation's historical memory.
People are interviewed in Dresden, Ontario, to sample local attitudes towards racial discrimination against black people that brought this town into the news. After a round-up of the opinions of individual citizens, white and black, commentator Gordon Burwash joins two discussion panels, presenting opposite points of view. The rights and wrongs of the quarrel are left for the audience to decide.
Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.
An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.
Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.
Police have been killing people in Columbus, Ohio, with near impunity for more than two decades, leaving behind a community bound together by grief – and a system that refuses to call these killings murder. In a searing indictment of the police and justice system at large, educator and curator Ingrid Raphael and journalist Melissa Gira Grant have collaborated in this short film, which spotlights the testimonies and resistance strategies of the loved ones of Henry Green, Tyre King, Donna Dalton and Julius Tate. These are the mothers, sisters, and grandmothers of those who were killed by Columbus police, women seeking justice for their family members, despite knowing that it is unlikely to be found within the system that caused their wrongful deaths.
Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.
A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.
Les Cartoons bannis