Pudesse Ser Apenas Um Enigma

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical stage production of the original Broadway musical.

As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."

Rito do Amor Selvagem

Milenci z kiosku

Joanne Williams' documentary captures an experiment of sorts. In 1966, amid the Civil Rights era, students from Milwaukee's Rufus King High School and students from Kaukauna High School participated in an exchange program that culminated in a production of Martin Duberman's play IN WHITE AMERICA. Now, over fifty years later, the original participants come together with a new generation, reprising this play with reflection and new energy amid our own racial reckoning.

Before Prop 8, Milk or Will & Grace, before the AIDS epidemic, gay pride parades or the Stonewall uprising, "The Boys in the Band" changed everything. "Making the Boys" explores the drama, struggle and enduring legacy of the first-ever gay play and subsequent Hollywood movie to successfully reach a mainstream audience. Featuring anecdotes from the surviving cast and filmmakers, as well as perspectives by legendary figures from stage and screen, it traces the behind-the-scenes drama and lasting legacy of this cultural milestone.

It’s the hit musical that changed Broadway forever and brought the genius of Lin Manuel Miranda to the attention of legions of fans across the world. A story of how a group of mavericks made an unlikely marriage of hip-hop and history to create the biggest show in America…and are getting ready to conquer the world. Featuring interviews with Miranda, as well as the cast and crew of Hamilton.

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place

A documentary about the end of the student movement in 1972 and the lynching of Daizaburo Kawaguchi, a student at Waseda University. The documentary interweaves testimonies from japanese intellectuals and a short play, written and directed by Shôji Kôkami, about the murder.

A storyteller, mime and actor, at the age of 86 years old, self-represents and tells the story of his life, moving between reality and fiction; showing us how art and imagination change the way we see life. A poetic journey between creation, play, loneliness and old age.

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

Twenty male inmates in a Kentucky prison form an unlikely Shakespearean acting troupe.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

The parallel lives of writer Truman Capote (1924-84) and playwright Tennessee Williams (1911-83): two friends, two geniuses who, while creating sublime works, were haunted by the ghosts of the past, the shadow of constant doubt, the demon of addictions and the blinding, deceptive glare of success.