Bert Marcus and Cyrus Saidi present an informed and absorbing exploration of the history of EDM, boosted by an energetic soundtrack and anchored by the personal stories of legendary DJ Carl Cox and superstar newcomer Martin Garrix. Insights from numerous other DJs and musical talents like Moby, David Guetta, Paul Oakenfold and Usher help tell the often oppositional tales of old school vs. new school and mainstream vs. underground.
Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
A man falls in love with a half-woman/half-phoenix who fell to Earth from the sky.
One comes to Earth after a few decades in space. But what if there is no Earth anymore? What if the only thing left of all the cities and countries are smouldering remains and radiating dust in the air?
A collaboration between Soda_Jerk and The Avalanches.
Performed live on September 15th, 1985 on the SONY JumboTRON at Tsukuba Expo, Tukuba, Japan
"Vlada Goes to London" is a short student film exploring the strong-willed Vlada on her night shift as a pizza delivery girl in her desperate attempt to book tickets to London and fulfill her dream of being a DJ. The end of the night brings more challenges than she expects.
The all powerful goddess of feet showing off her very interesting, soft and thick assets to you in every way she can imagine, while the sounds of the rave club rage on. Loaded with tons of sole scrunching, big bunching, feet waving, heel wagging, meat jiggling, toe wiggling, pad waggling, arch curling, foot furling, body bouncing, fancy dancing, sweating wetness and much much more ensues in this exciting experimental generative ai visual album.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
A mad scientist creates the band Music Brigades from body parts of dead musicians.
Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation. —Canyon Cinema
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.
Two forever intertwined lovers, Edwin and Rosko, recollect on their long spanning relationship. What seems like a normal healthy relationship is revealed to have a dark brewing secret underneath. They explore their sexuality together but everything changes once they begin to taste the flesh of another...
Photos, animation, and music illustrate the story of the Beatles.
Dreams of the Past
Our Favorite Things is a new DVD/CD release from reigning Kulture Kut-up Kings Negativland. Twenty-seven years of the group's "greatest hits" have become all-new moving pictures in this amazing, years-in-the-making package. Created with 18 other filmmakers from all over the USA (and one a capella group from Detroit), Our Favorite Things is a collaborative project that takes Negativland's sound explorations into the world of film and video. What emerges is a darkly cracked look at 21st century America, juxtaposing paranoia, torture, control, power, weapons, fear, suicide, cola wars, mental illness, and intellectual property issues with the lighter side of dopey advertising, cartoon characters, cleaning products and Jesus.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
A guitarist wrestles with his inner turmoil, seeking elusive fulfillment in the ethereal echoes of his music.
Álbum de videos 2013-2014