Today

A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018. Filmed on super 8 mm film.

A man blows balloons until they burst and thus expresses his accumulated aggression.

The desolation of vast retail spaces is not so far off from the decay of one's memories.

Juxtaposition of seeing and sounding, sky and stone and all that's in between. A short walk in an alleyway, to hear vision sounding images, blessed with light and darkness.

After their father is called into work, two young boys, Walter and Danny, are left in the care of their teenage sister, Lisa, and told they must stay inside. Walter and Danny, who anticipate a boring day, are shocked when they begin playing Zathura, a space-themed board game, which they realize has mystical powers when their house is shot into space. With the help of an astronaut, the boys attempt to return home.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

Through experimental editing and the recitation of movie trivia the film comments on the chaos of information in the age of the internet.

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An overly anxious man mysteriously finds himself unable to leave a bathroom.

Young boy confesses his love toward a grocery store chain in a abstract manner.

Jazz. Haiti. Plantains.

Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

In a temper, Meg, a cynical, overworked TV executive, rants about how the movies she produces lie, making you think dreams can come true, and tries to smash her favorite snow globe. Instead, it hits her on the head and knocks her out. When she comes to, she finds herself magically transported to a perfect snow-covered town like the one in her globe, married to a handsome woodworker and mother to two young children.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

June has had the same dream every night for the past three months. Lorelai is worried something bad is going to happen. Things get weird.

The ultimate weapon, claimed to be safe for mankind, produces global side-effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817 in Switzerland where he meets Dr. Victor Frankenstein, Mary Shelley and others.