Outra Ode às Costureiras

The Ministry of Labour exhorts women to return to industry – the post-war production drive depends on them.

A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.

Nightshift

A documentary about how a motley band of – mostly female- retail workers took on a retail giant – Canada’s Timothy Eaton Company. In the tradition of socialist and feminist filmmaking of the day, we immersed ourselves in these women’s lives as they fought for a first contract, hanging out with strikers on the picket line, at union meetings and in their homes.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.

Hoa is a young engineer and computer specialist who arranges the database of an institution. She is hardworking, yet her dedication goes unnoticed, and her boss dismisses her work and expertise as “redundant”.

Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

After coming up against homophobia from straight service providers, Queer Gimp Girl (Marg Scott) seeks out other disabled queers and asks about their experiences of disabled awareness and access in the queer communities.

Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.

Nicolás Barsoff, a young Argentine actor of Austrian and Russian descent, rescues a box of film reels just as his father was about to throw it away. He hopes the box will be the key to unlocking a tendency toward darkness that haunts him as part of an inevitable inheritance he tries to combat with natural medicines. Through the archive, we delve into the story of a family torn apart by World Wars I and II, immigration to Argentina, and the military dictatorship of 1976. His two grandparents are presented as antagonistic characters in the context of the disappearance: two ghostly figures in a genealogy that Nicolás will try to reconstruct.

Recorded at The Lemon Tree, Aberdeen in December 2013, and features a song from every Stranglers studio album up to 1990 and a song from every Hugh Cornwell studio album.

Ten thousand years ago we were all hunter-gatherers. Now, the Yanomami Indians in the Venezuelan Amazon are the last large group of semi-nomadic hunter gathers remaining on earth. For thousands of years their lifestyle remain fundamentally unchanged. During a short 13 year period, when Hugo Chavez decided to bring remote Yanomami Indians into the modern Venezuelan welfare state, new stresses emerged. The filmmakers have been documenting the path of one Yanomami village in the Venezuelan Amazon, from November, 2000 to December, 2020. This period coincided with the rise and fall of the Venezuelan economy and the related Chavez socialist revolution. The challenges and changes for the people in this village as a result of these forces... compressing thousands of years of adaptation into two decades... created dramatic conflicts still unresolved.

Breaking taboos: Belarusian contemporary artist Aliaksei Kuzmich gives us the keys to understanding his art of action.

E. Jean Carroll v. Donald Trump is a powerful documentary that brings to life the brave testimony of writer E. Jean Carroll, who accused former President Donald Trump of sexual abuse. In a landmark legal case, Trump was held liable for sexual abuse and defamation, with a court ordering him to pay $83.3 million in damages. Directed by Robert Greenwald, this Brave New Films production features powerful performances from prominent actors, including Kathryn Hahn, Ellen Burstyn, Lexi Underwood, and Regina Taylor. Through their voices, the film vividly portrays Carroll’s courageous fight for justice. As Election Day nears, E. Jean Carroll v. Donald Trump is a must-watch for anyone concerned about justice, accountability, and the future of American democracy. Watch now and share with friends, especially those in battleground states, as we fight to make sure the truth is heard.

In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.