Toss Me a Dime

Siddharta and Fabrizio, one of them nine years old, the other one 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.

Children get ready to start the first grade. They start learning the first letters.

Gurdeep is a thirteen-year-old Canadian Sikh whose family runs a dairy farm near Chilliwack, British Columbia. They have retained their language and religion. Attendance at the Sikh temple, playing soccer with his schoolmates, and working on the farm are all part of Gurdeep's well-integrated life, but sometimes he feels a little different from the other children because he wears a turban. This film is part of the Children of Canada series.

Whitwell, TN is a small, rural community of less than two thousand people nestled in the mountains of Tennessee. Its citizens are almost exclusively white and Christian. In 1998, the children of Whitwell Middle School took on an inspiring project, launched out of their principal's desire to help her students open their eyes to diversity in the world and the horrors and enormity of the holocaust.

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

A look at the rampant HIV epidemic rate in Swaziland.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

Follows five autistic children as they work together to create and perform a live musical production.

On May 8, 1989, Sports Illustrated ran an article about Ultimate frisbee… about a team with no name hailing from New York City that was about to change the sport forever. From its 1968 New Jersey birth to its unanimous 2015 recognition by the International Olympic Committee, FLATBALL circles the globe to showcase four decades of world-class Ultimate and goes even further: to a set of fields in the Middle East to understand and demystify the unique spirit of the game.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Based on the book by Naoki Higashida, filmmaker Jerry Rothwell examines the lives of five non-speaking, autistic youngsters.

Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

Megacities is a documentary about the slums of five different metropolitan cities.

A documentary with some fictional scenes that focuses the attention, more than on hospitalized children, on the human dynamics that are established in their families. Shot in the Oncohematology ward of an Italian hospital, the movie follows the life of some young patients being treated, alternating interviews with their relatives and hospital staff.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.

The “Kindertelefoon” (Child Helpline) in the Netherlands provides a listening ear. One girl talks about being home alone virtually all week; another’s sad because her parents are getting divorced. A boy in an asylum seekers’ center is worried about the future, while another boy doesn’t want to be gay and hopes these feelings will pass. Every day, the Kindertelefoon takes calls like these from children who want someone to talk to. But children also call to talk about their pets, to practice their audition for The Voice Kids or to make pranks. The recordings of these phone conversations are accompanied by images that quite literally give color to the conversations, and that beautifully reflect their tone—sometimes hilarious or naughty, but more often sad or heartrending.