A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.
Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.
A film that evokes the period between the end of the First World War and the Great Depression of 1929. For some, it was the golden age of pleasure and the easy life, with memories of Charleston, short-haired tomboys, wild races in a Torpedo, and the dizzying banks of Deauville. For the rest of us, it was a time of illusions, when the carefree post-war era did little to conceal the profound upheavals that were shaking the world: the Soviet Revolution, the establishment of Fascism in Italy, German rearmament, a changing China, and finally the great economic depression of 1929, which took on the proportions of a global catastrophe.
A documentary that tells the history of Grêmio Football Porto-Alegrense from its foundation in 1903 to the triumph of the 1997 Copa do Brasil. In addition to providing the historical panorama of the achievements of the club, the documentary explores the relationship between club and supporter through testimonies of players, coaching staff, former presidents and fans.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito
Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.
During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.
After his son is denied enrollment by the local elementary school for not identifying his "primary race," a multiracial father journeys through America's maze of Identity Politics to better understand our relentless preoccupation with race.
chronicles the life of Josh Keogh, a 15-year-old whose family was shattered when his father died of liver cancer only six weeks after being diagnosed. Filmed over the course of a year, the documentary begins only a few months after James Keogh's death and candidly captures the emotions the grieving son hid from his family and friends.
From its beginning during the Reagan years through current times, the War on Drugs has left many victims stranded in the prison system. PRISONERS OF THE WAR ON DRUGS reveals life behind bars in the nation’s prisons. Each prisoner has his or her own story, but for most, the story is predictably similar; they have been criminalized for drugs or drug related offenses, locked up with easy access to substances, and given little opportunity for rehabilitation. This film provides an inside look at the prison system, its prisoners and a war on drugs we do not seem to be winning.
Viola Léger. The 86-year-old actress is famous for her performance of La Sagouine, a character of Antonine Maillet, whom she has lived for more than 45 years. As a tribute to this exceptional career, we invite you to watch the newly released Simpson Viola by Rodolphe Caron for free on NFB.ca. In this touching and intimate work shot last year, the filmmaker immortalizes the daily life of Viola, at 85 years old, while she was preparing - again and again! - for new shows.
Athletes and fans explore the impact of sports on the lives of Americans.
Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says "kept calling the police." Xiara, who has always been extremely close to her father, acts out with her mother.
Documentary film interviews leading African Americans on race, identity, and achievement.
RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.
Retrospective documentary on the making of the low-budget horror film Prison (1987)
1977: Grêmio lives a dark period in its history, after losing the last eight Campeonato Gaúcho to Internacional. Then there was a crowd that would shake up the structures and prejudices of the universes of the gaucho football and forever mark its name in history: the Coligay, the first organized football group of supporters formed exclusively by homosexuals.
A journey into the secret world of 76-year-old Renaldo Kuhler, a scientific illustrator who invented an imaginary country to survive his disaffected youth.
It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.