(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected. I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.
Progress in South Australia manifests itself around the Flinders Range country in the industries of Whyalla, Port Pirie, Port Augusta, Leigh Creek and Aroona Dam. Wildflowers cover the countryside.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
"as work in progress: treasures found in the streams around me."
Safe places to view from.
Living in fragments, pieced together in varied ways, uncertainly, and yet... Inside there is a familiar chaos, awaiting a key...
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A portrait of a recently vacated home, the film evokes both memory and the lingering presence of past inhabitants. Through precise, enigmatic sound–image construction, Beavers crafts an intimate meditation on art, existence, and the search for meaning.
Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.
This programme tells the story behind the conception, recording and release of this groundbreaking album. By use of interviews, musical demonstration, performance, archive footage and returning to the multi tracks with Ahmet Zappa and Joe Travers we discover how Frank Zappa and The Mothers of Invention created the album with the help of legendary African- American producer Tom Wilson.
The invention and use of a jeep are described, from the viewpoint of one of the vehicles.
Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.
A girl reads during a bus ride
Take an in-depth tour of the London set, and meet the filmmakers and artisans whose work, imagination, and heart breathe life into the film.
Documentary about shipbuilding on the Clyde. In 1960, Glasgow and other towns and ports on the River Clyde, on the west coast of Scotland, were still one of the world's great centres of shipbuilding. The film gives an idea of the business of building a ship - the largest moving thing made by man - from the naval architects who design her to the workmen, the shipbuilders in the yard, through to a ship's launching.
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
Animated industrial movie about the steel industry.