“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”
A story from childhood and an indelible image continue to haunt Jamie many years later.
Environmental PSA by Bill Plympton.
Early raunchy live action short by Bill Plympton, advertising a strange BDSM machine.
As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.
Se-young stays alone and works overtime. Her lover, Hye-mi, visits Se-young's company and they have a date there. Suddenly, the new employee, Joo-ah, returns to the company.
Silent cartoon.
La Pepperette
A young woman lives with her sleeping husband. Prisoner of her loneliness, she refuses to accept that this man is only a memory.
Two old men enter an abandoned synagogue, look at the decay around them, and pray.
Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.
Moto Perpetuo shows an absurd picture of our neverending changing culture and history.
A man meets a girl, sitting on a bench in the park. He imagines ways that he can impress her. But will he make the good impression when he gets the chance?
The first animated short film to feature Varga's clumsy claymation character Augusta.
This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.
Two young women and a young man confront a tech mogul on a train about their new invention.
Two masks face each other under a multitude of disturbing glances. A signal is given, begins then a dance, a ritual fight.
On a New Year's Eve journalist Tanya is setting on a train by her friend, for this removing another passenger. Friend says that Tanya is a surgeon and she's having an important surgery tomorrow. Drunk lawyer Tolia sit down in the same compartment. Train brakes, suitcase puts down and cuts off Tolya's finger. Now Tanya as a surgeon must save Tolya's life.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
On the hottest day of the year a husband figures out a way to get rid of his annoying wife in a game of scrabble.