Hold It!
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Just another day for this guy’s hand.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
When Andra, a diagnosed psychopath, receives a love letter from Sadie, an undiagnosed love addict, her natural state is shaken as she confronts the dull prospect of romance.
The Minions are back along with some new friends in three hilariously fun short films: Competition, Cro Minion, and Binky Nelson Unpacified.
Casey Matthews runs her middle school's morning announcement team with an iron fist, until new kid Derek becomes her new lead anchor.
Jordageddon
Frederick Butterfield has always been runner up to his twin brother Herman. When Herman, the older by a mere minute, becomes the world's oldest man, Frederick finally sees an opportunity to be first place.
Summer of 1982. Teo claims he has found a wormhole. His brother Óscar does not believe him - at least not for now.
A biting satire from the front lines of the American workplace, where layoffs are so routine they've created their own industry - outplacement. Elite Transition Services promises laid-off worker Scott Matter help finding a job and getting back on his feet. But as the job search grows increasingly desperate, Scott finds himself caught in a corporate purgatory where the absurdities of office life are brought into vivid relief.
In his classroom a philosophy teacher opens the discussion on the place of religion in society. Out of his course he faces the realities of the street.
It is 1810 and fifteen year old Jane is about to meet her fiancée and get her period. Both for the first time. And at the same time.
CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.
Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.