Television Under the Swastika

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

Six sequences about Fascism and its segments throughout history.

Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

imagine... follows celebrated British TV writer Russell T Davies as he prepares to return as the showrunner of Doctor Who – with two Doctors and bigger ambitions.

While fleeing their hometown during the Nazi invasion, Jewish teenagers Fanye and Rivkah are chased through the woods by an armed Nazi soldier and are forced to make life-and-death decisions.

1945: The last days of the war. In a remote mountain hut, Anton, a deserted SS man, and Hannah, a Jewish woman, meet. From distrust, feelings develop between the two. But the danger is not over yet. For the two, the war is far from over.

New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.

Based on years of research into the mass rapes committed by the Red Army at the end of the Second World War. In the first part of the documentary Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, after 46 years of silence they talk for the first time publicly about their violent experiences that have left such a mark.

Special care has been taken by International Historic Films to assemble this monumental documentary, which tells the story of what is left for a people after its land has been ravaged by war. Situated between the powerful antagonists Germany and the Soviet Union, the Baltic nations of Latvia, Lithuania, and Estonia bore witness to some of the most ferocious land battles of the Second World War.

One day in the life of television is a documentary that was broadcast on ITV on 1 November 1989. Filmed by over fifty crews exactly one year earlier, it was a huge behind-the-scenes look at a wide range of activities involved in the production, reception and marketing of British television. The project was organised by the British Film Institute and produced and directed for television by Peter Kosminsky. A book by Sean Day-Lewis was published to accompany the documentary. It contained the thoughts of people throughout Britain, including industry professionals, who recorded their feelings and experiences of television viewing on 1 November 1988, the day that the documentary was filmed.

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.

The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.

A loving tribute to a forgotten pioneer of the golden age of television. Starting out as a Runyonesque character actor, Sheldon Leonard went on to produce some of the most beloved and groundbreaking shows of all time, such as The Andy Griffith Show, The Danny Thomas Show, The Dick Van Dyke Show and I Spy. A rare treat, this film is a delightful retrospective of Leonard’s body of work, including priceless clips from his productions— as well as his hilarious appearances on shows such as The Jack Benny Program—and interviews with many of his friends and colleagues, including Mary Tyler Moore, Andy Griffith, Dick Van Dyke, Carl Reiner, Ron Howard and Leonard himself.

Boston's V66 music video station came and went in the mid-1980s but in the 18 months on the air, it was one of the only over-the-air music video channels ever created. But even popular success didn't mean it was going to last...

Secret Courage: The Walter Suskind Story

The history and enduring legacy of one of the world's biggest and most influential radio stations.

2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.

Near the end of World War II, General Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he's unable to maintain control of the city. After much contemplation, Choltitz ignores orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, alongside Swedish diplomat Raoul Nordling, helps a leader organise his forces.