We Loved Each Other So Much

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Renowned vocalist Sarah Brightman performs more than 20 songs before a packed house at Las Vegas' MGM Grand Arena in this concert film from Angel Records. The set list includes such tunes as "Who Wants to Live Forever," "Stranger in Paradise," "What a Wonderful World," "A Whiter Shade of Pale," and "Wishing You Were Somehow Here Again."

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.

Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.

In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.

Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.

War Generation - Beirut explores the lives, dreams and fears of three generations of young people living in the heart of the civil war in Lebanon. This seminal work from Jean Chamoun and Mai Masri remains one of the most powerful anti-war documents of the period.

After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?

A Musical Journey is an intimate portrait of the Palestinian oud and violin virtuoso Simon Shaheen and his influential career as composer, performer and educator. Born into a musical family and educated at the Academy of Music in Jerusalem, Shaheen arrived in America in 1981 to a landscape where traditional Arab music was little known. His passion for and commitment to sharing the music’s complexities come to life as he teaches and performs in vibrant musical performances that energize the film.