A Jolt for the Janitor

Jerry Willard, a clerk in a publishing house who is possessed of a massive inferiority complex, is fired from his job and, on the way out of the office, is mistaken for the boss, Watson, by Anne Rogers, the daughter of an author.

Clean-cut Hugh Carver, a promising freshman, arrives at Sanford College with lofty ideals. His focus on academics and sports is quickly derailed when he falls for popular flapper Cynthia Day and her modern, carefree attitude plus—as the title suggests—her bold red lips. As Hugh is drawn into a world of jazz, late-night parties, and "petting" sessions, his grades suffer. As he struggles to balance the temptations of the era’s rebellious youth culture with his personal integrity and athletic ambitions Hugh must decide if his romance with Cynthia is worth the potential ruin of his future.

Indiana Stillwater, the daughter of a wealthy American railroad industrialist, marries English nobleman Viscount Canning and travels to England. Her in-laws are somewhat shocked by her casualness in dress and manner, but welcome her into the family anyway. When her parents invite her to a Sunday-night dinner at their hotel, however, her husband--believing it to be inappropriate behavior for the wife of a nobleman--orders her not to go. Complications ensue.

Garage owner Tommy and ventriloquist friend Eric join the army and go to France, where they are captured by the Nazis. However, Eric's voice-throwing skills come in handy in engineering their escape and obtaining top secret information.

Bryce Gilbert convinces his daughter, Virginia, that she should not elope with a casual boyfriend and sends her to Italy to stay with his fiancée, Duchess Bianca.

Glenn Higgins and Patsy Jones are a song-and-dance team traveling the vaudeville circuit across the United States, and land in a Kentucky tank-town filled with sharpies and wise-guys , wearing spats and carrying canes, who have reasons for wanting a horse named "Hot Heels, not to win the race he is scheduled to run in. This does not bode well for the vaudevillians as Glenn, acting on a hot tip from a hot vamp, has bet the pair's bankroll on "Hot Heels" to win.

William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.

Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.

When young Mary Carpenter and wealthy Peter Cooper, both carrying luggage initialed with a large “C,” check into a seaside hotel they end up with each other’s bags. Mary, an astronomy fan, has several volumes by Prof. Carl Von Munsternberg mixed in her bag which Peter takes note of before also slipping in a bestseller, "The Road to Love," before returning it to the desk and retrieving his own bags. Peter, trying to avoid a widow who pursues him but still meet Mary, disguises himself as Prof. Von Munsternberg so that Mary will take notice of him. Gaining her acquaintance all is going well until the real professor shows up! Becoming convinced Peter is the thief who stole the widow’s jewels a madcap chase begins that ends with Mary and Peter united at last.

Comic short reworking of "The Taming of the Shrew".

Heiress Rhoda Canby is badgered by her eccentric relatives Uncle Silas, Aunt Elizabeth, and Cousin Hepzibah. She falls in love with writer Irving Mason, who believes Rhoda to be the heiress' secretary, and courts her as chauffeur "Henry Smith." Accompanied by her African-American nurse Aunt Chloe, Rhoda runs away from home. Irving, meanwhile, is abducted. Upon reading of the supposed suicide of Irving Mason, Rhoda assumes the role of widow and visits his hometown. There she is befriended by Irving's uncles and goes to work in the family's general store. Irving escapes his captors and surreptitiously returns home, but is surprised to find himself presumed dead and Rhoda his widow. When the family store catches fire and Irving saves Rhoda, their true identities are revealed, after which they are married.

Shirley Kaye is the vivacious daughter of Egerton Kaye, president of the great Union Central Railroad. The latter holds his position through his descent from "Pirate" Kaye, who founded the line, rather than through any executive ability of his own. Shirley is queen of the most exclusive Long Island set, and as clever as she is lovely to look at. From the West comes T.J. Magen, a rough but lion-hearted financier, who buys the house next door to the Kayes. Magen cares little for society, and the elaborate household which their wealth forces them to support is a constant worry to his simple and unassuming wife. But the daughter, "Daisy," yearns, with all her heart to break into the society and swim where Shirley Kaye reigns supreme.

Two couples with mismatched mates find new romance blooming in the Bavarian countryside.

Perpetua is a rich little orphan with a kind but absent-minded dreamer of a guardian, Thaddeus, who is very much older than herself. Perpetua wants to live in Thaddeus's house but instead is sent to her eccentric animal loving Aunt's, Miss Majerdie. Unhappy Perpetua runs away to Thaddeus’s. He endures her for a time and finally ships her back to his Aunt Majerdie's. Pursued by several suitors whose ardor cools when the rumor goes round that she is penniless. Her wealth having intimidated him before Thaddeus steps in now and declares his love for her.

Young marrieds Paul, the Viscount De Sallure, and his bride Florence are in financial straits. Florence’s inheritance is available to her only if she separates from her husband so the pair concoct a scheme to give that appearance. Problems emerage when Paul seems to be taken the ploy to heart with Mlle. Fifi but all turns out well in the end.

This ceremony requires greenbacks but the groom came up short.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.

A 1919 film directed by Sidney Franklin.

To pick up material for his latest play, Kendall poses as a waiter at a fancy restaurant. In a twinkling, he gets mixed up with a gang of sinister foreign agents, who hope to get their hands on a noiseless explosive device