Time of memory

Este fue nuestro castigo

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

A multi-billion-dollar mining project is launched by the American Newmont Mining Corporation and lays claim to the land belonging to Preuvian highlander Máxima Acuña.

Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

Four Westerners with various ailments travel to Peruvian Amazonia to drink ayahuasca, a traditional medicine renowned for its healing powers.

In Peru, Sergio García Locatelli visits both those places where human life is fragile and personal fate is uncertain and those where death reigns, places where everything is already lost, where appeal is not possible. A walk in search of the meaning of death that is actually a celebration of life and the living.

Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.

Tells the story of a young student and his spanish journalist friend who, after being victims of violence, they decide to act and organize a movement through Mexico's internet, but this is mistaken for a terrorist organization.

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.

Documentary charting the fascinating life and work of Lee Miller, a model for Vogue in 1920s New York who became the only female photojournalist to cover the Second World War. Having given up photography in later life and virtually disowned her own work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death. George Melly, David Hare, friends, colleagues and her only son, Tony Penrose, trace the story of her unconventional life through her own remarkable pictures and photographs, as well as rarely seen archive footage.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

A man battling drug addiction is stalked by an ominous masked photographer.

Four middle school students, who are the members of a photography club receive an old-fashioned analog camera from their teacher. The teacher asks them to take pictures of 'the end of the world' during summer vacation. While they discuss where would be the end of the world, as one of the girls suggests, they just get on the subway to go to the very last station.

When an Egyptian terrorism suspect "disappears" on a flight from Africa to Washington DC, his American wife and a CIA analyst find themselves caught up in a struggle to secure his release from a secret detention facility somewhere outside the US.

Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.

During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?