A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.
Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.
This short subject shows Lissa Bengston teaching a group of three- and four-year-olds how to swim in a pool. Miss Bengston, a member of the Royal Academy of Physical Education, Stockholm, Sweden, believes that at this age, children have no fear of the water and, therefore, can be taught to use their natural abilities to swim.
This documentary tells the story of a Chinese cemetery in BC that became a National Heritage site. For Chinese pioneers who died in Canada, Victoria's Chinese Cemetery at Harling Point was a temporary resting place until their bones could be returned home. (Traditional Chinese belief says that the soul of a person who dies in a foreign place wanders lost until their bones are returned home.) This film traces the rich history of the Vancouver Island cemetery from controversy and neglect to its revival as a historic site. Told by those closest to it, the story of Harling Point is a metaphor for Canada, a country still working on making a home for all who live within its borders.
In the Cumbrian seaside village of Siddick, 9-year-old Laura-Anne narrates a year in her life in rhyming couplets, as she navigates the pitfalls of young love. Enduring various betrayals and heartbreaks, she persists in her quest to find her prince.
The McFLY Brasil Tour unfolded across May 2022 with a total of six dates. On May 26, 2022, a live concert was recorded at Qualistage in Rio de Janeiro and made available on McFLY Total Access.
Carré rouge sur fond noir
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
A silent succession of black-and-white photographs of the city of Montreal.
This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.
St. Joseph's Oratory, a picturesque shrine silhouetted against Mount Royal, draws pilgrims by the thousands every year. They come from California by Greyhound bus, from Vancouver by plane, and on foot from many parishes surrounding Montréal. What is the fame of this shrine, that it attracts the devout and the curious alike? The story is told by Brother Placide Vermandère of the Order of the Holy Cross, who was personally acquainted with Brother André, after whom the shrine's famous temple is named. Cameras follow a procession of the League of the Sacred Heart through the streets of the city to the famous sanctuary and show many of the religious observances conducted in the church, including Mass attended by invalids who come in the hope of being healed of various afflictions.
La Coupe Stanley à Montréal en 1993
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
A poetic short about the Montreal subway system
The tumultuous history of the Louvre Museum, founded in 1793, and its fabulous art collections, an immortal testimony to the destiny of France and all of Europe.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.
An experimental short film about a day in the life of a barefoot boy who sells newspapers in San Salvador.
Marie, Arthur, Emine, and Christian are ten years old. They live in Berlin. Strolling through the city with them, we experience their freedom as well as first notions of opposition.