Guerre aux images en Algérie

Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.

Aimé Césaire, un Nègre fondamental

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the government of Ian Smith hanged three black revolutionaries who had nevertheless been pardoned by the Queen of England. René Vautier, with ZAPU (Zimbabwe African Party for Unity), denounces this killing. Expelled by the Rhodesian police (informed by the French secret services), the filmmaker shoots a film in Algeria in the form of an indictment against colonial savagery. The film was first banned in France, then authorized in 1965.

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

Back To Africa

This feature-length biography traces the journey of Heidi Baker, a modern day Mother Theresa, as The Baker’s pursuit of the presence of God has transformed a poverty-stricken and war torn Mozambique through love in action. Shot on the run over a period of 20 years, in 10 countries and on 4 continents in war zones, brothels, and Ivy League campuses, from Hollywood to Mozambique, this film chronicles the power of one life fully yielded to God and the truth that love wins.

Documentary about the history of the Belgium-Congo route, made on the occasion of the thousandth flight.

Ndola, Northern Rhodesia (currently Zambia), September 18th, 1961. Swedish Dag Hammarskjöld, UN Secretary-General, mysteriously dies in a plane crash. Decades later, Danish journalist and filmmaker Mads Brügger and Swedish researcher Göran Björkdahl investigate the case looking for a definitive closure.

Short documentary about the Sahara-dwelling Toubou, a tribe in which the women are treated as equals by the men.

Umoja - Wo nur Frauen das Sagen haben

Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?

A film about a lion.

Thabo, Thabiso and Moalosi are young, attractive and deal openly with their HIV status. Nearly a third of the population in Lesotho is HIV positive.

Silent adventure film

A humorous documentary about a historic hunt in 1929 through the African savannah and Indian jungle with lots of animal footage.

Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Brussels, Béguinage church. Migrants organize a hunger strike to obtain papers. A man dies. Tunisia, Libya. A border camp of Choucha refugees tell the horror of crossing the Sahara to the north. Liège. In a refugee center, a man narrates his Mediterranean crossing in a chamber of air. Three moments of a battle for survival.