Trauma Umerziehung - Heimkinder in der DDR

Drei Frauen

In interviews, several important GDR personalities and also GDR citizens comment on the events of October 1989.

Siegfried "Siggi" Trzoß, a radio moderator from East Berlin, is working tirelessly leading up to his anniversary and 900th show. The music his heart burns for is East German Schlager, a genre politically ignored at first and widely forgotten now. But Siggi keeps the dream alive to this day, making the hearts of seniors jump higher in nostalgia all over east Germany.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

Short film about astronauts in the GDR

Documentary (in colour) about the first youth meeting (Deutschlandtreffen der Jugend) in East Berlin in 1950.

Die Randgemeinschaft

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Born in Germany in 2002, Noa Blanche Beschorner evokes the memory of those who, a generation before her, lived through the separation of East and West Germany. Tapetenwechsel (Change of Scenery) is the story of youth seeking their identity when confronting their collective memory.

In 1999, Konami Corp. introduced a Japanese-influenced coin-operated arcade stand-up to the U.S. Its draw was unheard of for a video game: the combination of music, competition, and interactive video-gameplay along with actual physical activity. Four years later, Dance Dance Revolution (DDR) has become one of the most popular game crazes stateside and found easily in video game stores and in nationwide retail markets. This story explores the youth culture surrounding the game and follows a group of devoted players and documents their interactions at various arcades and tournaments.

When people think of DEFA, the film heritage of the GDR, they probably don't just think of film images, but also some of the timeless melodies that were created in Babelsberg.

The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.

Hard, harder, hardest! This film orders you from the start to turn up the volume and pay attention. "Look out! We're Coming to Get You!" is a flood of images driven by a tempest of guitars. The film's creators jam 20 years of German music history into 120 minutes of film. Musicians from BLIND PASSENGERS, DIE SKEPTIKER, SANDOW and other bands explode their way through the film. Fans of the DEFA documentary "Flüstern und Schreien" ("Whisper and Shout") already know the stars of that film, Aljoscha, Paul and Flake of the band Feeling B. Here they have a chance to see how these musicians survived the period after the fall of the Berlin Wall and the "escalation of possibilities" that came with it. And you're allowed to laugh, too!

This color documentary tells the story of the "Mamais." In 1960, a group of workers at the Bitterfeld chemical plant set themselves the task of becoming the first "socialist brigade" in the German Democratic Republic (GDR) to act in accordance with the slogan "Work, learn, and live socialist."

Wenn Mutti früh zur Arbeit geht

Zielitz - Der Kampf ums Weiße Gold

Erich Honecker ruled the GDR for 18 years. His fall in 1989 heralded the downfall of the state that had called itself "the better Germany" for 40 years. Nazi victim and autocrat, bourgeois and power-conscious: Honecker was an ideological hardliner who coordinated the construction of the Wall in 1961 and whose regime was known as an unjust state for Wall deaths, firing orders, the Stasi and forced adoptions. In the wake of the fall of communism, the former model socialist fell into homelessness and found himself on the run in his own country. Suffering from cancer, he managed to evade responsibility before a court by emigrating to Chile, where he died in 1994. This gripping documentary portrays the rise and fall of this contradictory German politician with an impressive array of top-class international and national contemporary witnesses. Erich Honecker would have been 100 years old on August 25, 2012.

Remo Largo - Ein Leben für unsere Kinder

DDR - die entsorgte Republik