Huntsville Station

Documentary film about artist Henri Matisse

Dialogue-free short detailing the daily tasks of a man and his wife.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Documentary about a boy living with his family in extreme poverty in Rio de Janeiro.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.

May 2017. As the new President of the United States takes his ease in the White House, the city of Breaux Bridge, Louisiana, is the theatre of the mythic Crawfish Festival. It's just another day, in America.

Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.

To support his mother in Mexico, Angel, a nude dancer, turns the web into his new stage.

"The Free Orchestra" is a group of young people who have various careers, and get together in their free time to make music. Improvisation and original hand made instruments mark the group's style. The individual members of the band are filmed at their daily work life and at one of their concerts. A collage of sounds arises, which conveys their life feelings and experiences, in a satirical and grotesque language.

Two young singers rehearse Eisler's "Ernste Gesänge", his last work, in which the prompt for the film's title can also be found. What is decisive in this film is the encounter with Eisler and his music, the consistency with which he thought about art and people. You can hear tape recordings of Hans Bunge in conversation with Hanns Eisler.

The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.