With its moving personal approach, careful artistic direction, and inspired sound design, this skillfully symbolic work embodies the importance of transmission.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.
Thirty years ago, a rubber company enslaved a group of Asháninka people, manipulating them into tapping the trees in the lush borderland between Peru and Brazil. The company was expelled by a coalition of Indigenous and non-Indigenous people, led by one mixed race couple. Now the adult children of this marriage combat political corruption and ongoing environmental disaster.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
Manifesto of the Pataxó tribe, with the testimony of the chief José Guajajara, in front of the Monument to Estácio de Sá, where the Tamoios massacre took place in 1567, on the coincident day that celebrates the foundation of the city of Rio de Janeiro, 20 January.
Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.
In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.
Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?
Katurãma: uma história de luta e resistência
Greenland has become a major geopolitical issue between the United States, Europe, Russia, and China due to its geographical location and mineral resources. Its geopolitical destiny will have significant ecological consequences for the entire planet. What choice will the people of Greenland make? The largest island in the world, with its 2.2 million square kilometers covered 80% by ice, is also one of the least densely populated territories on Earth, with barely 57,000 inhabitants. Mainly living off fishing, tourism, and Danish subsidies, yet sitting on a potential treasure. We are talking about 25% of the world's hydrocarbon reserves, the third-largest uranium reserves, and 20% of rare earths. An icy Eldorado that today sparks all sorts of ambitions, one of the hotspots where the future of our multipolar world is being shaped. This is what the film will explore, addressing both its economic and commercial challenges, as well as its geo-ecological and military implications.
Meet Vern Harper, Urban Elder, who walks the "Red Road" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.
Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.
Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
The Guarani people have searched for a land without shadows for a hundred years. The beauty in their home is precious and undeniable, but climate change threatens to ruin this special place.
Nominated for an Emmy® Award in 2021 for best non fiction special. Winner of 35 grand jury awards. Filmed in 2016 at Standing Rock, North Dakota, this powerful documentary follows the Indigenous leaders as they unite the Native Nations for the first time in 150 years in order to rise up in spiritual solidarity against the unlawful Dakota Access Pipeline which threatens their treaty lands, sacred burial sights and clean water. These young Native Leaders honor their destiny by implementing a peaceful movement of resistance which awakens the world.
Profile of the Haida artist Bill Reid
Joyce Jonathan Crone—Mohawk matriarch, retired teacher, activist, humanitarian—reaches forward into her community of Huntsville, Ontario, opening hearts and bridging gaps for Indigenous education.
The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.