Oil City Confidential

Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.

In the 1980s, a drummer is abandoned by his band just before they become rock superstars. Twenty years later, the drummer sees his second chance at stardom arise when he is asked to perform with his teenage nephew's high school rock band.

Three stories that occur in a single day, centered around the Chilean rock scene.

ALL KINDSA GIRLS traces the evolution of garage/punk rock from its inception in the sixties through current interpretations. Focusing on the career of singer/songwriter John Felice and his band the Real Kids, the film examines the significance of music in the lives of performers and fans. In 1976, the year the Ramones and the Sex Pistols issued their first albums, ex-Modern Lover John Felice put together the band that would become the Real Kids. One year later, they recorded the garage/punk classic known as the Red Star Album. ALL KINDSA GIRLS documents Felice's evolving search for success

The concert was filmed progressively over the 'Best of the Best' tour in the spring of 2016 in Germany but the bulk of the material was filmed in the last week of the tour, playing in many great venues including the famous Festhalle in Frankfurt, a venue that Pink Floyd themselves performed 'Animals'. A cinematic approach was taken to produce a film of a concert which we hope will give much enjoyment to the viewer and listener.

The life story of Elvis Presley as seen through the complicated relationship with his enigmatic manager, Colonel Tom Parker.

Lyla Riley is in a punk band -- Minor Illusion. They suck. Regardless, she perseveres with her best friend Rob on guitar, numbskull drummer Sean and showboat bassist Pete. Minor Illusion's pathetic existence vexes Lyla's older sister Stephanie, a former punk turned 9-to-5 suit. Through lineup changes, borrowed cash, shitty gigs and drunken nights, Lyla and the band journey through the perils of Chicago's DIY music scene to get their shot at adequacy.

1982 found Mink DeVille in the middle of the transition from their CBGB's New York punk origins to a more subtle, rootsier sound blending soul, R & B, Cajun and other influences. Led by Willy DeVille, whose unique style and inimitable gravelly voice always made them stand out from the crowd, Mink DeVille released their first album in 1977 and immediately had a huge hit with the track Spanish Stroll. By the time of this appearance at Montreux in 1982 they were touring in support of the fourth album Coup De Grace and the show features tracks from across their career to that point as well as a couple of unreleased gems including their cover of the Ben E. King classic Stand By Me.

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship

White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34

1 Social Distortion– Under My Thumb 2 Social Distortion– 1945 3 Social Distortion– Playpen 4 The Vandals– Anarchy Burger 5 The Vandals– Hocus Pocus 6 Sin 34– Trip To San Francisco 7 Black Flag – Rise Above 8 Black Flag – Louie Louie 9 RF7– Vampire Lady 10 MDC – Police Riot At Mendiolas 11 Descendents – Hey Hey 12 Descendents – Bikeage 13 Descendents – Jean Is Dead 14 D.I.– Ballroom Blitz 15 D.I.– Richard Hung Himself 16 True Sounds Of Liberty*– Code Blue 17 Circle Jerks– Just Like You 18 Circle Jerks– Put A Little Love In Your Heart 19 Hüsker Dü– Everything Falls Apart 20 Youth Brigade– Sink With California 21 Blak Flaag– Ride The Bus

Iggy and the Stooges, live at The Hordern Pavilion in Sydney on April 2, 2013. It was an old-school punk party complete with stage invasions, crazy crowdsurfing and an arsenal of punk anthems – it’s Iggy and The Stooges‘ scorching Sydney show!

60 promotional movies + Bonus special features on one DVD. Early singles and songs from featured albums are represented here in some classic live performances (miming) or with some collages of period-appropriate footage. By late 1965 the Beatles were increasingly reluctant to make the constant round of television appearances to promote their new releases. So they decided to self-produce and videotape their own promo clips that could be distributed worldwide to any company waiting for T.V. The Beatles were the forerunners of the MTV revolution and instigated the era of promotional video.

An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”

This is the definitive proof of Elvis as a live phenomenon. For these amazing shows there was no safety net, no retakes or the chance to correct a mistake. What you see here is the most honest picture of the most remarkable performer in history. From the excitement of the live broadcasts during the rock ‘n’ roll years to the sheer majesty of the King at his peak in ‘73; this is the confirmation of true greatness. Featuring highlights from: Blue Suede Shoes, Johnny B Goode, Love Me Tender, Heartbreak Hotel, Hound Dog and more...

Sting & The Police is a compilation issued by Sting, and released by A&M Records in 1997. Conceived at the time when Sting had just released his fifth solo effort, Mercury Falling, the album mixes a selection of Sting's Police-era songs with later hits recorded under his own name.