Don't Leave Me

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

A short film written by Hussain Manawer about 2020 and mental health.

Early Vitaphone short.

Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.

The animated film was created based on the fables of Sergey Mikhalkov "Cautious birds" and "Hare in the hops." Drake with his assistants arranges a performance on the forest stage for animals. He tells fables about forest dwellers from the stage.

Longing to experience more of life, twentysomething preacher's daughter Angie strikes out on her own for the very first time and joins a traveling gospel show.

Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Mickey and his friends take a close look at important street safety situations and tips.

CREMASTER 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, it represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

Hania is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

A tribute to Mexican animation, with the characters of The Leyends, Villainous and Frankelda. Inspired by the music of Mecano.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.