¿Por qué morir en Madrid?
Toma de Belchite y Teruel
Documentary that narrates a key moment in our history: the Franco coup d'état, the cruel repression that was carried out and the attempts at resistance in the Charra province. Many people are convinced that Salamanca surrendered with open arms to the coup plotters; However, nothing could be further from the truth. In Salamanca there was repression and there were attempts at resistance; There were arrests and there were tortures, there were shootings and there were disappearances. In Salamanca there was also harsh repression that manifested itself in all its forms.
At the start of 1939 an exodus of nearly 500,000 Spanish Republicans, soldiers and civilians together, fleeing Franco's troops crossed the border to France. Louis Llech, a Perpignan based shopkeeper and enlightened amateur cineaste, owned a 16mm camera. Together with his friend Isambert, he filmed this extraordinary migration. Fascinated by the military aspect of this Retirada, he favoured shots of parades, of crowds, like those showing military equipment. He nonetheless also showed civilian distress, without insisting on its picturesque aspects, focussing more on images of the uninterrupted flow of refugees.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.
During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.
The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.
Cautivos en la arena
The memory of the poet Vicente Aleixandre remains silent at No. 3 Velintonia Street. Home of a Nobel Prize in Literature 1977, it also recalls the joy of Lorca and other members of Generation´27, the pain of civil war and post-war, and became a meeting point for most writers in 20th century Spanish Literature, now is abandoned and for sale. This documentary recreates its story and spirit.
Que mi nombre no se borre de la historia
Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.
The Moroccan Labyrinth
Presos del silencio
A feature-length documentary based on film reports from the Spanish civil war.
Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).
The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.