Crystal Lake Memories: The Complete History of Friday the 13th

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Return to Crystal Lake: Making 'Friday the 13th'

The story of the sexual memoirs of a Victorian gentleman who revealed himself as Walter. He documented his liaisons in a frank series of journals which ran to eleven volumes and 1.5 million words, titled 'My Secret Life'. Within the journals he documented details of his liaisons, the names of the women, their social standing, and their conversation. For a century, this material was considered obscene, its publication illegal. Today, however, it's seen as a unique insight into Victorian social and sexual mores, providing valuable information on class, gender, marriage, fidelity and morality. This film looks at the dark life of 'Walter', and examines the way his journals have shaped contemporary understanding of Victorian society. The film also examines the mystery that has surrounded this story - who exactly was 'Walter'? The film asks whether he could have been Henry Ashbee, a wealthy London gentleman who was obsessed with sex and attained a pornographic library of over 15,000 volumes.

A short documentary exploring the theatrical release of Just Jaeckin's Emmanuelle (1974) in Ontario, Canada, at the time of a major shift in its provincial film censorship regime. What followed was a new era in the Ontario government's uneasy dance with film, a debate over art and morality — not only about sex on screen, but about who gets to decide what is too much, too far, or too French.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.

In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.

To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema's most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back - an uniquely human story about one of cinema's most vicious monsters.

A 30-minute documentary on book banning and censorship that follows author Dave Eggers as he investigates why a Rapid City, SD school board wanted to ban his book.

The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s. How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

"Do you think I have a cute bottom?" From Brigitte Bardot's cult line in "Le Mépris" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure

'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.

A deep dive into the hidden industry of digital cleaning, which rids the Internet of unwanted violence, porn and political content.

A sex education film dedicated to all forms of human sexuality.