Professor Saul David uses the BBC archive to chart the history of the world's most destructive war, by chronicling how the story of the battle has changed. As new information has come to light, and forgotten stories are remembered, the history of World War Two evolves. The BBC has followed that evolution, and this programme examines the most important stories, and how our understanding of them has been re-defined since the war ended over 70 years ago.
Here is the hair raising, seat-of-the-pants tale of men who dared to fly their planes, unescorted, to the heart of enemy held Romania to blast the source of German oil. It's also the story of long, low level flights over water, searching for the tell tale sliver of a U-boat periscope. It's a tribute to an underdog that became the most versatile, widely used bomber of World War II. This is THE B-24 LIBERATOR! Aviation A.V. Library brings you this battling classic in a hell-raising video adventure that we call "THE FIGHTING LIBERATOR." From the Bismark Sea to dirt airstrips in China to the exhilaration of the great push on D-Day the Liberator was there, fighting her way over, around and through the Axis ranks.
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.
Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.
Documentary about the life and work of Jorge Luis Borges, from his own memories and reflections.
Three film-makers travel to Iraq to film the ongoing crisis in which ISIS forces are trying to take over the country. The film-makers speak with locals, military, police and other media outlets to get their opinions on the crisis but it's the voices of the children which often goes unheard, so the film-makers listen to the children, and find out their views on the crisis.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
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DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.
Zona di guerra - Professione Contractor
Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
Maginot vs Siegfried : la guerre des lignes
Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.
Presenter and former England football captain Gary Lineker follows in the footsteps of his grandfather, Stanley Abbs, to explore a brutal but often overlooked chapter of World War Two.
During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.