Советский Таджикистан: Братья Кадыровы

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

This film documents Hollywood's efforts to bolster support for the Allied forces in WWII by creating propaganda films.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

After the defeat of 1940, and faced with the unexpected collapse of French power, all eyes turned to a horizon of both hope and uncertainty: the colonies. France had suddenly become an empire without a metropolis, reduced to two-thirds of its former size. Pétain saw the colonies as a "consoling myth" after the defeat, while de Gaulle considered them essential strategic locations for the Resistance. The two clashed in a propaganda war.

An anti-Communist propaganda film produced by the United States Information Agency for the indoctrination of the children separated by Operation Peter Pan into the United States. The short film follows the life of Roberto and two other young children inside the Florida City Camp that was one of the main offloading sites for children.

Commissioned to prepare Allied troops for the liberation of Europe, the film uses a blend of staged narratives and historical footage to promote solidarity and dispel the myth that France was a nation of willing collaborators.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

Fest organized by Irmandade do Outeiro Nossa Senhora da Glória with the attendance of president Eurico Gaspar Dutra.

World War II propaganda film made to show an American audience that the Dutch were and would continue to be valuable allies in the fight against the Axis powers.

The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.

A sweeping, cinematic pseudo-documentary history of human flight, starting with the failed attempt of Icarus, and ending with the aviation triumphs of the fascist regime.

A documentary about the famous athlete and movie enthusiast who made Serbia's first sound film, Innocence Unprotected. The Nazi occupation of Belgrade prevented the film from gaining wider acclaim. Director Makavejev intersperses clips of the original film with interviews of surviving cast and crew members, as well as newsreel and archival footage.

The Front Show is a series of World War II era German military training films shown to German soldiers before being shipped off to the Eastern Front. They were directed by the veteran propagandist Fritz Hippler, best known for Der Ewige Jude.

Le Parti du cinéma

Hard-hitting journalism. Era-defining fiction. Witty cartoons. The New Yorker marks its 100th anniversary with this look at its past, present and future. The New Yorker's centennial reveals behind-the-scenes access to editors, writers, and archives of this culturally vital magazine, one of print's last survivors.

Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.

No one knows why for certain, but from 1968 to 1973 communist Albania enjoyed a brief liberalisation in the arts. Banned books and Beatles records changed hands. Albania’s Nobel-nominated novelist Ismail Kadare wrote two of his most famed masterpieces, Kështjella (The Castle) (1970) and Kronikë në gur (Chronicle in Stone) (1971) during this period. The rock'n'roll and jazz arrangements featured in this concert documentary were the pretext that brought about the end to the artistic thaw. Several performers seen in the festival were sent to prison or internal exile. The portly, smiling music conductor, Gasper Çurçia, was later accused of forging bus tickets and executed.

An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară