Today, few people's clothes attract as much attention as the royal family, but this is not a modern-day paparazzi-inspired obsession. Historian Dr. Lucy Worsley, Chief Curator at Historic Royal Palaces, reveals that it has always been this way. Exploring the royal wardrobes of our kings and queens over the last four hundred years, Lucy shows this isn't just a public fascination, but an important and powerful message from the monarchs. From Elizabeth I to the present Queen Elizabeth II, Lucy explains how the royal wardrobe's significance goes far beyond the cut and color of the clothing. Royal fashion is, and has always been, regarded as a very personal statement to reflect their power over the reign. Most kings and queens have carefully choreographed every aspect of their wardrobe; for those who have not, there have sometimes been calamitous consequences. As much today as in the past, royal fashion is as much about politics as it is about elegant attire.
In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
Omniac
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento
A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.
Six million tons, suspended by the slightest gesture. Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.
GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.
Using variations of color and light, this is a method that I attempted to translate how I feel for a special someone on her special day.
Fireworks
In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
A visual experiment on the different types of movement in a city.
The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
A visual poem shot on Super 8 through the streets and shops of Amsterdam.
In late August 2016, the band of Floating Points travelled to the Mojave desert to rehearse and record before their tour of the Southern states of America. Whilst visiting Joshua Tree national park, they were struck not only by its physical beauty, but also of the sonic reflections from the rock formations. A unique sound of reverb, echo and phase shifting modulating the sound from its surroundings.They took advantage of this environment to write and record some new music at the base of some of these natural sculptures which was documented in this short film.
an experimental short shot completely in black and white and attempts a new technique.
Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!