Hanoi Through Whose Eyes?

A young man decides to wear a camera on his head and record every second of his life for a year.

Legendary short story writer Lucia Berlin (1936-2004) captured moments of grace in the cafeterias and laundromats of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.

Legendary short story writer Lucia Berlin (1936-2004) captured moments of grace in the cafeterias and laundromats of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.

Legendary short story writer Lucia Berlin (1936-2004) captured moments of grace in the cafeterias and laundromats of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.

An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.

“You are the heirs of a glorious heritage, and to you has come a responsibility as honorable as it is mighty.” Dr. Samuel King challenged his congregation in the First Presbyterian Church of Waco with these words almost one hundred years ago. Today, with this film, the images of Waco Foundation responds to Dr. King’s challenge by tracing our heritage- from the Waco Indians and the Spanish Conquistadors, through the frontier days of the Chisholm Trail, to the suspension bridge and the founding of our colleges and universities- to show how the quality of life Wacoans currently enjoy emerges from a complex tapestry woven from the dreams and efforts of our forebears. The breathtaking images of Waco captured in this evocative film challenge us to acknowledge and appreciate the qualities of today’s Waco and build on our glorious heritage to create an even better community for our children.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Weaving together original film and photographic archives, A CLOUD NEVER DIES tells the story of a humble young Vietnamese monk and poet whose wisdom and compassion were forged in the suffering of war. In the face of violence, fear, and discrimination, Thích Nhất Hạnh’s courageous path of engaged action reveals how insight, community, and a deep aspiration to serve the world can offer hope, peace, and a way forward for millions.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

Standup comedian Fred Le hears the stories of a diverse range of young overseas-born Vietnamese who made their way back to the land that their parents left following the end of the Vietnam War. The Empathizer explores identity and the impact of trauma among Việt Kiều who grew up a generation removed from tragic events of the past.

Deep in the jungle of Central Vietnam, lies a magnificent underground kingdom. Hang Son Doong which translates as “mountain river cave”, is the largest cave passage in the world and a place of spectacular beauty. With more people having climbed Everest than visited Son Doong, its pristine charm has remained undisturbed for millions of years. In 2014, Son Doong’s future was thrown into doubt when plans were announced to build a cable car into the cave. With many arguing that this would destroy its delicate eco-system and the local community divided over the benefits this development would bring, the film follows those caught up in the unfolding events. Beautifully shot and scored, “A Crack In The Mountain” is a powerful exposé about how both good and bad intentions can ultimately lead to one of the world’s greatest natural wonders being trampled for money. As well as inspire those who care about our natural heritage to fight to protect it.

Private McKinley Nolan vanished 40 years ago in Vietnam on the Cambodian frontier. Some say he was captured, some say he was a traitor, some even say he was an American operative. The US Army officially claims he was radicalized and went native, joining the Viet Cong and later encountering the Khmer Rouge. In 2006, retired US Army Lt. Dan Smith, revisiting the battlefields of his youth, may have encountered the elusive McKinley, alive. So began a journey into the heart of darkness.

America's involvement in the Vietnam War dramatically intensified in 1964 after the Tonkin Gulf incident, an incident in which the blame falls squarely on the Johnson administration. What would follow would be a series of misinformation and outright lies from the government to mislead the American public into supporting a war that would become increasingly harder to justify.

After years of war and occupation, a new generation of inspiring entrepreneurs sets out to pursue their personal dreams while pushing Vietnam forward onto the world stage.

Second part of collaborative project Brise-Glace. Directed by Titte Törnroth.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Vietnam in HD is a 6-part series that immerses viewers in the sights, sounds and stories of the Vietnam War as it has never before been seen. Thousands of hours of uncensored footage--much of it shot by soldiers in action--will detail every critical chapter of the conflict. The war will unfold onscreen through the gripping firsthand accounts of 13 brave men and women who were forever changed by their experience in Vietnam.

Over the years, Raul Ries, a military veteran (US Marine Corps) has reached out to those who are serving or have served in our armed forces. He has spoken to countless men and women from various theaters of military conflict, after their return home. In 2006, 40 years after fighting in the jungles of Vietnam, Ries experienced flashbacks for the first time. Subsequently, he found three of the men closest to him, who fought alongside of him in the Marine Corps unit ALPHA 1/7, and have suffered the consequences. Together again, they are taking the hill and finding healing.

A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…

One of the mythic journeys of our time, through the exquisite, complicated, surprising terrain of Vietnam and Cambodia to the great ruins at Angkor - the magnificent Khmer temples being painstakingly restored deep in the Cambodian jungle. It is a high definition odyssey up a river far distanced in time from the corridor into the heart of darkness portrayed in Francis Coppola's "Apocalypse Now." In Angkor, the World Monuments Fund's John Stubbs and John Sanday describe their 15-year restoration of one of the jewels of a city called "the eighth wonder of the world." As we go inside the 12th Century temple complex of Preah Khan, along with the other major sites of Angkor Wat, Bayon and Banteay Srei, we learn that the story of their work in Angkor is not only a story of the rebirth of Angkor after the horrors of the Khmer Rouge Era, but it also is a story of the rebirth of Cambodia.