Alex Agnew: Larger than Life

Registration of the third theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. One day a man has to go. Away from family, away from home and hearth. Away from the drudgery of his work, out to look the world straight in the eye! In short: one day a man has to go to a equipped holiday cottage. Diederik van Vleuten asked his friend Erik van Muiswinkel to come along. The result was their theatre third program in which two men, one with a house and one with a bunk bed, clash. What are two Dutch friends in their forties discussing in a house on a Dutch Frisian Island?

Rayen Panday: Niet Verder Vertellen

Toon Hermans' one man show anno 1968

Stage registration of the third comedy special (2002-2004) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). The show consists of songs and sketches on various topics such as James Bond, Hamlet, Shakespeare and Thyestes.

The Dutch comedian/persona/phenomenon Stefano Keizers is an enigma. In this documentary, a crew follows the mystery Stefano Keizers in the run-up to his second theater program to find out who he really is.

Oudejaarsconference 2010: Gedoog, Hoop & Liefde

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

The Dutch comedian Hans Sibbel ('Lebbis') tackles some of the more absurd aspects of our capitalist world and the importance of finding truly meaningful experiences.

Eric van Sauers: Liegt

Registration of the third solo show by the Dutch comedian Sara Kroos.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

Registration of the fourth comedy special by the Dutch comedian Ronald Goedemondt, in which Goedemondt explores the theme conformism.

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.

Kees van Amstel: De man die ik niet wilde worden

Registration of the theatre program by the Dutch comedian Youp van 't Hek. In 'The Watchman, the Sleeper and the Dreamer' Youp van 't Hek says farewell to dorm ' the old Barge, "in which he lived for 25 years as a part-time student. 'The watchman, the sleeper and the dreamer' are the nicknames for the three friends who lived in that dorm. Every year there's a reunion, and this time it was Youp' s turn to take care of it. While he talks about that reunion, he explains how his friends got their nicknames and what became of them. While doing so, he reviews all the topics of that year and provides these of his comments.

Hans Teeuwen is a successful comedian, jazz singer and a staunch defender of free speech. Nowadays he plays his unique comedy shots only in the UK, where he gets a great response and fantastic reviews plus he was the recipient of a 2008 Chortle Award. Here, finally, is a chance for Dutch audiences to see Hans Teeuwen's first new comedy show in five years, and the first show in English for the rest of the world: Hans Teeuwen Live in London!

Registration of the "musical-pastiche theatre program" by the Dutch comedian Brigitte Kaandorp. She accompanied by an ensemble and several musicians.

Philippe Geubels: Made in Belgium