Fuck Cinema

A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.

Fritz Lang, le cercle du destin - Les films allemands

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

As artificial intelligence becomes ever more sophisticated, the film industry is split between enthusiasm at what the technology can achieve and concern over the future for human workers in the industry. Will actors and actresses be replaced by machines? An overview on the coming wave of AI in cinema.

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Creator of absolute freedom, David Lynch constructed his work as an enigma to be deciphered between dream and reality. A cult director from his first films ("Eraserhead", "Elephant Man", "Blue Velvet"), Lynch forever changed the world of television with his series "Twin Peaks", before tackling the lies of Hollywood in "Mulholland Drive". Tracing the life of the most influential filmmaker of his generation, this documentary explores the hidden meaning of a relentlessly consistent filmography and delves beneath the dark, teeming surface of the American Dream.

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

David Carradine discusses his career and memories of making Sundown: The Vampire in Retreat.

Bruce Campbell discusses his memories of making Sundown: The Vampire in Retreat.

M. Emmet Walsh discusses his memories of making Sundown: The Vampire in Retreat and his career in film.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.

A documentary on the creation of Lars von Trier's fascinating drama Dogville starring amongst others Nicole Kidman, Paul Bettany, Stellan Skarsgård, Ben Gazzara, Lauren Bacall and James Caan. Showcasing behind-the-scenes footage and providing a much deeper look inside the world of filmmaking including some moments of insight that are hard to believe.

In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.

The life and legacy of Marlon Brando and how he changed acting.

A retrospective on the 1969 classic "Butch Cassidy and the Sundance Kid," its impact on the careers of the filmmakers and cast, and how the film made a distinct impact on the Western genre.

A retrospective documentary on the making of Cape Fear (1991) and Cape Fear (1962).

Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."