Dining with the Kapoors

Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Daniel is the lead actor in a mafia film. He's about to shoot the pivotal scene: his father's death. His emotional preparation will plunge him into childhood memories and impact his own life.

It was aboard the legendary and sturdy Peugeot 504 and Renault 12 that most North African families made the "route du bled," a ritual return to their homeland for summer vacations in Morocco or Algeria. The film chronicles a summer migration across the Mediterranean from the 1970s to the 1990s. The memory of these epic journeys punctuates the history of North Africans in France with bittersweet nostalgia, where travel stories blend industrial automotive heritage with personal memories.

‘Merica

Jean-Jacques Daloiseau has worked as civil servant in the Ministry of Health and his now retired.Jean-Jacques and his old friend Robert have always dreamed of a sailboat and a trip around the world by sailboat.They have found a nice sailboat: Robert has paid his part but Jean-Jacques needs to sell a ground in the Soth of France.And also Jean-Jacques needs to speak with his wife Carole about this trip around the world with Robert.Then begin all the difficulties and impediments.Carole doesn't agree with this and runs away to London.Then one daughter ,Pauline, has problems with her husband and has come back home with her children.So Jean-Jacques becomes a nanny and has to solve all the problems of his daughters, find the money for boat and recover the love of Carole.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

Abroad at the time of her death, a grandson returns to revisit the house of his late grandmother, now occupied by another family. A reflection on the love for a home where one grew up and yet made by a grandmother missing another life, in another house, in another country.

Ten-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie – a seal who can turn into a human. Years earlier, her baby brother was washed out to sea and never seen again, so when Fiona spies a naked little boy on the abandoned Isle of Roan Inish, she is compelled to investigate.

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

Evan, a filmmaker from Mississippi, catches feelings for a gal he meets at a found footage film festival in San Francisco. They decide to make a movie together, exploring the haunted landscapes of Evan’s family history in the swamplands of Florida. Old wounds are reopened and generational trauma reveals itself to be perhaps the scariest part of this attempted mockumentary that ends up being a little too real.

Strange images hide in my mother's photo album, snapshots of her youth in Russia inside a colorful yoga group. Today, she devotes herself to other cults, all of which bring their share of propaganda, rites, gurus, and of course sacrifices. I play her role, to understand or to exorcise.

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

Fear and fascination arise in Muriel Grey when she remembers the figure of her father, who passed away when she was still very young. Thirty years after his death, Muriel will tell us the story of José Carlos Grey, a Black Holocaust survivor, freedom fighter in the Spanish Civil War and the French Resistance, and one of the only Black men known to have been imprisoned at the Mauthausen concentration camp in Austria.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

A documentary film about the art and process of making Fura Da Nono - a type of food that is originated from West Africa's Sahel region, one of the many unique traditions of the Fulani people which has been preserved for centuries.

A comedy pilot for the what could've been the first series starring Indian immigrants in America. Swaroop is a 10 year old kid, smart, resourceful and a good heart. In this episode, next door neighbor "Steve" wins a live cow in a poker game.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

When a holiday wish wreaks havoc on a fractured family, they must work through their differences to defeat an army of magical Christmas ornaments.

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.