Nothing is 100 Percent

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.

A loop of a guy in Maine hanging out in his room.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

A visceral journey through dysphoria in the internet age.

A violent stop motion cabaret for the cynical and depraved. Guilt, alcoholic apathy and the inevitable, looming apocalypse threaten to push a young man to the brink.

A young man has a conversation with his inner self

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

A young couple wanders through different corners of a polluted city while struggling with the contradictions of love, desire, and loneliness. Through sarcasm, memories, and emotional tension, they confront each other only to reveal that the real conflict lies not in the other, but in what they cannot accept within themselves.

An abstract exploration of memory and loss.

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

'This Socks' is a stop motion animation short film that experiments with different techniques to illustrate a common everyday annoyance.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.