My Blue Heaven

While on summer camp, forty boys of different ages share their thoughts and ideas about death and the afterlife. From a child's perspective, life after death can mean anything from free food for everyone to the opportunity to pet a lion whenever you want.

Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.

Director Koreyoshi Kurahara chronicles a year in the lives of Flep and Leila, two foxes living in Hokkaido, Japan's northernmost island, where the freezing winters are long and the mild summers short. After Flep defeats another male fox to become Leila's lifelong partner, they mate and raise a litter of five kits. With their family complete, the group must contend with human interference in their habitat, such as chicken farms and snowmobiles, and struggle against the debilitating cold of winter. The animals experience both triumph and tragedy, as the law of this harsh land proves – only the strong survive.

From a vast record of 750 days, 5000 hours, Official Film of the Olympic Games Tokyo 2020 SIDE A and SIDE B are the official documentaries by Naomi Kawase capturing not only the athletes gathered from all over the world, but also their families, people involved in the Games, volunteers, medical personnel, and protesters shouting for the cancellation of the Olympics.

A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

Passeurs de vies

Lucie was born with a protruding ear that she got from her mother. In this documentary she tries to find answers in her fathers' features.

Hoeksteen van de Samenleving

Filles et fils d'addicts

Petr and Simona have been living together for twenty-five years. They have nine children, with whom they live in caravans on a meadow in Šumava – without television, computers, or running water. The authoritarian Petr calls himself a "professional father." He guides his offspring toward freedom and harmony with nature, while trying to protect them from the harmful influence of consumer society. The children only go to school for exams—their college-educated parents teach them at home. At first glance, the family cohesion, which is practically unparalleled in today's Western world, seems idyllic. Upon closer inspection, however, doubts begin to arise. The film Still Together explores the price of a free life outside of society and asks: is there a recipe for the ideal family?

When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.

Gerações: histórias que o tempo não apaga

A Texas house call veterinarian must guide his neighbor Cindy through one of the most difficult days of her life.

Fukushima used to be a wonderful place. Unfortunately, since March 11, 2011, "Fukushima" has been superseded by another name: Nuclear Disaster Zone. Six years have passed, but over 80,000 Fukushima residents still cannot return home, still cannot return to their former lives. How did they get through it? Reconstruction work is slow. Several years on, surrounding the site of the Fukushima nuclear incident, there remain many refuge-seeking residents whose homes are still in lockdown. In the streets, people are taking it to their own hands to save their communities. Psychologically and practically, how does one rebuild? Does the civil society's self-rescue mission conclude in recovering what was lost, or in reviving an even better community? In their eyes, what is "revival"? What is the meaning of "rebirth"? Our crew went all over the coastal areas of Fukushima, recording stories of residents each finding their own ways to save themselves.

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

chronicles the life of Josh Keogh, a 15-year-old whose family was shattered when his father died of liver cancer only six weeks after being diagnosed. Filmed over the course of a year, the documentary begins only a few months after James Keogh's death and candidly captures the emotions the grieving son hid from his family and friends.

Quem trocou as memórias de lugar

AGNI, a visual artist in the twilight of his life, is rushing to complete his monumental work. Caught up in a frantic creative routine despite his declining health, he transforms every gesture, every moment into a final trace of his passage. Soon, he knows, he will join the stars.

El abogado