Route to the Land of the Sun

A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.

The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

Machine Plate

Documentary about the aftermath of the earthquake that shook Juchitán, on the Mexican Pacific coast. It tells the story of Dxani -muxe seamstress- and Jacinto -mason- and how their lives were radically changed by the strongest earthquake that hit this community; and the poor response of the corrupt authorities.

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Under the Palace Wall

Medio siglo de cine. 50 Aniversario del Festival de Cine Iberoamericano de Huelva

A filmmaker immerses herself in ancestral rituals and ceremonies, in hopes of discovering the connection between collective and individual healing.

Mixtec-Zapotec antiquity reverberates in an instant. Their ancient voices whisper the memory of time and invoke deities that reveal deep secrets etched in stone. Quartz Deities is a look at the ungraspable, a liminal window that leads to mineral memories where the apparent univocal directionality of time is interrupted, diluted with the forces of nature and the cosmos.

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.

Director Robert Kolodny draws parallels between the Harry Houdini's conjuring power of sleight of hand and the creative process of hand crafting works of film. Commissioned for the 2026 True/False Film Festival.

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

A portrait of the filmmakers grandmother made from self scanned 8mm footage from 1940's-1960's. Commissioned for the 2026 True/False Film Festival.

A coming-of-age story set in the Dominican Republic, where a group of young aspiring bachata musicians seek answers to love and life through their music. Filmed at the Academia de Bachata, the world's first bachata music school. Featuring maestro Martires de Leon, guitarist and arranger for Romeo Santos.

Through interviews with Mrs. Elsa Ruth Cañas Ruiz (widow), Mr. Israel David Rivera Cañas (son) and teachers Sergio Cárdenas, Eliseo Martínez García and Juárez Lincoln Velázquez Moreno and the use of archival material, the life, work and legacy of Mr. Israel Rivera Pérez is narrated, who was the director of the "David" Choir of the National Presbyterian Church "San Pablo" of Oaxaca and founding director of the Choir of the City of Oaxaca.

Shows the colonization process in the nature reserves of La Serranía de la Macarena and Bajo Caguán in Caquetá. The settlers and a FARC leader describe the causes of the burning of the forests and the role of the guerrillas in areas where there is no state presence.

In Park City, Utah a group of independent filmmakers attend a shoestring film festival and experience the oft-regular disillusionment of the low budget film world. However, they enter the orbit of the one man running the show and decide to come back the following year to help and change what was a beautiful disaster the year before.