Kitsch Witches 2FM

A "documentary" on witchcraft, most notable for depicting a black mass in which a cockerel is sacrificed in order to initiate a newcomer into the coven. Very little information is available online about this film.

A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.

A mockumentary about four people and their idiosyncratic ways of saving the planet.

The film shows the behind-the-scenes process of making a documentary about an author known for their autofiction stories. By including its own behind-the-scenes footage, it mirrors the author's storytelling approach, blending the documentary’s creation with the author's narrative technique. In this way, the relationship between reality and fiction is questioned.

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In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

A film about news, life and death. Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.

Heleno has a disease unknown to most of the population. In the course of their suffocating routine, situations arise that defy the usual in society. But is it really Heleno's illness that prevents him from adapting to the world?

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

A Glimpse Through The Bennington Lens follows Will and Ana, two journalist theater students at Bennington, as they interview faculty and administration members to get to the bottom of some uncanny events

In 2023, Writer/director Aaron Irons went deep into the Appalachian wilderness area known as Jeffrey's Hell to expand on the legends and stories from his 2022 found footage film, CHEST. He was never seen again. This documentary explores what really happened to Aaron and what secrets are being kept below the surface.

Witches explores the long and clandestine history of this misunderstood group of people. It provides a close look at the black art, and features factual information presented by practitioners.

The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.

A faux documentary about the ongoing social, political and economical crisis in Brazil, where the government cuts the colors of Rio de Janeiro, turning the city black and white.