The Artist & the Pervert

Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.

Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma. This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.

Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)

The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.

The documentary mixes reenactments with true accounts from four characters/actors who tell the stories of six black gay men, their experiences and their romantic relationships crossed by racism and homophobia.

Documentarian Jeffrey Morgan set out to the track one woman's search for the truth about her great-great-aunt's 1908 murder. But his film quickly became a fascinating study of racism, revenge and family secrets. In the process of uncovering information about her ancestor's violent death at the hands of an African-American suspect, the woman learns that her family tree might have also produced a few murderers.

This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.

Pop star Leigh-Anne Pinnock confronts her experience as the only black member of Little Mix, and as a black woman in the music industry. She embarks on her own very personal journey to understand how she can use her platform and privilege to combat the profound racism she sees in society around her.

Me sem s-ar tu

This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the "March of the Beurs." Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?

Traces the making of UC-Davis professor Darrell Hamamoto's first-ever Asian American porn movie ("Skin on Skin") from planning to production. Hou interviews filmmakers Justin Lin ("Better Luck Tomorrow") and Eric Byler ("Charlotte Sometimes"), professor Elaine Kim and playwright David Henry Hwang to get at whether Asian America truly needs its own "porno practices" as a way of decolonizing the community's collective sexual imaginations and confronting how sexuality and masculinity are treated in the Asian American community.

A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.

The only people charged over the brutal police murder of Elijah McClain are community activists who organized mass peaceful demonstrations calling for justice. They are facing up to 48 years in prison - among the highest charges for peaceful political protest in recent history.

Documentary film about the nationalist movement in Sweden

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

Emma Dabiri looks at racism in Britain via the world of modern dating, love apps, and a national survey suggesting that young Britons could be more segregated than ever.