Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
In Surinamers in Nederland: De terugkeer van het zwarte goud, we see Surinamese people arriving in the Netherlands, unsure of what to expect, and being packed into overcrowded boarding houses. The government's idea is that they should then be integrated into society as quickly as possible. This was to be done by the Centraal Bureau Uitvoering Vestigingsbesluit Rijksgenoten, set up in 1974.
follows the stories of individuals held in the U.S. Immigration detention system and those who visit them. The film traces the lives of several individuals who fled their homelands in search of safety and freedom only to end up in U.S. prisons under a mandatory bed quota system run by Immigration Customs & Enforcement.
The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.
Les copains d'abord
Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.
Focused on an inspiring and touching dialogue between Gilles Vigneault and Fred Pellerin, the documentary tells the story of Quebec by digging deep into an ancestral tradition etched into our cultural DNA: the production of maple syrup.
A dive into the origins of two revolutions: the rapid expansion of Hydro-Québec with the construction of the La Grande hydroelectric power plant, a project championed by Premier Robert Bourassa, and the awakening of Indigenous nations. A clash of civilizations where two worldviews collide. Quebec, buoyed by the momentum of the Quiet Revolution, takes control of its destiny. Meanwhile, in the North, young Inuit and Cree rise up for the first time to protect what is most precious to them: their land and their culture. At the heart of the conflict is the James Bay construction site, the largest of its kind in North America.
When people think of Appalachian music they often think of the banjo and classify it as bluegrass, but the music in the region is more diverse than that. This film focuses on the different styles, from old-time to punk music, that is played and often overlooked here in the mountains.
Three boys and three girls. All born in the Middle East now living in Sweden. All with different views of Islam, integration, the World and Sweden. Some follow Sharia. Others fight Islamic roles. One is a hip hopper. The other thinks music is a sin. One thinks that the woman must obey her husband. One fights for women’s liberation. One girl is a boxer. The other is an ordinary worker. Some are closely followed by the Security Police. Children of Islam is a documentary about religion, culture, conflicts and looking for an identity in a changing Sweden.
A generational trauma through the lens of an Asian American teenager through food and poetry.
A documentary about Basque inmigrants who went to USA looking for work and a better future. Basically, Amerikanuak talks about feeling homesick, about struggling in a different country to make a decent living and about being part of a comunity.
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
Mohammed Alsaleh, a young Syrian refugee, is rebuilding his life after being granted asylum in Canada. In Vancouver, he counsels and helps resettle newly-arrived Syrian refugee families so that they may find new homes and begin again.
Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.
As a Palestinian refugee, Ahmad escaped from Lebanon to Germany 40 years ago. In a conservative and strict way, he raises his six children in Berlin Neukölln. His oldest son, the filmmaker, talks to his father, interviews his siblings and tries to understand how war, escape and exile affect a human being.
The film looks at the impact of over-development in historic towns in Quebec’s picturesque Laurentian mountains. As big box stores and large retailers drive local merchants out of business, and foreign developers buy up huge tracts of land for resorts, local residents’ property taxes are skyrocketing. While the locals organize against expropriation by taxation, an internationally-known artist, René Derouin, adds his creative energy to protect the heritage of “Les pays d’en haut” from The Great Invasion.
What remains of the 2012 Quebec student protests? Little has changed in the decade that ensued. Rodrigue Jean and Arnaud Valade exhume images of the battles, recorded live and relayed through the mass media, that flared up as anger and indignation went head-to-head with the rhetoric of power. Against these divisive images, the filmmakers overlay a historical perspective of the state and its police in Montreal, Quebec and Canada, delving into the roots of sanctioned violence. Their compelling glance at the past is, of course, a cry that continues to echo in the present day. While the voices have been silenced, revolt still brews. All it takes is a spark...