For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.
Documentary tribute from a great-grandson to his great-grandmother. In a Sunday, filmed in her daily life, Aldéa speaks of universal subjects in her own way.
“Behind time, time comes” interlaced with folk songs, narrates the rhythms of rural life, where time and its weight, shape and define the landscape, as well as the lives that compose it. Accompanying the reminiscences of a group of women from the parish of Dornelas, Sever do Vouga, Portugal.
The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.
This short documentary includes three vignettes about life off the coast of Newfoundland. In Island of Birds, we visit Green Island, a sea bird sanctuary where puffins frolic. In Caplin Harvest, little silvery fish called caplin spawn by washing ashore along the waves, making an easy catch for fishermen. In Outports on the Move, off-shore houses are pried loose from their foundation and floated to the Newfoundland mainland, where schools, hospitals, stores and services are available to the community.
Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
This short film depicts Newfoundland’s “old times” as seen by Julie O’Brien, an 11-year-old living in Tors Cove. Told in the first person with cutaway shots to the girl’s many activities, the film illustrates the way traditions are maintained, remembered and evolved. This film is part of the Children of Canada series.
A portrait of Newfoundland that records a way of life that has all but disappeared.
A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.
An intimate look at the evolution and impact of women emcees and rappers, told by the trailblazing artists who helped create a musical and cultural empire.
A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
L'Amour vache
Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.
This documentary chronicles the relocation of an entire town in Newfoundland, Canada.
A film on the "SAPPHIRE", the oldest identified wreck in Canadian waters. Parks Canada's underwater archaeology team is responsible for the excavation of the three-hundred-year-old frigate.
William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.
On July 1st, 1916, the Newfoundland Regiment took part in a massive First World War offensive on the Somme, led by the British. At Beaumont Hamel the regiment was nearly wiped out, as only 110 of 780 soldiers survived the day. To commemorate its 100th anniversary, Brian McKenna’s documentary film tells the story of this epic tragedy. Using a technique that brings new meaning to reenactment, McKenna recruits descendants of soldiers who fought this battle, offering them a unique opportunity to relive the experience of their ancestors in trenches built specifically for the film.
Ben Power interviews his father, Darrell Power of Great Big Sea, and asks what it was like on the road, being away from his family, and how being in one of the most memorable Newfoundland bands shaped his life.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.