A Meal at Chen

On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.

If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.

The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.

Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.

A film about death and memory. A long farewell. A killer takes the life of a poor writer in the morning. Then they go through a journey consisting of a boy, a woman, watches, oranges, roses and old bicycles. At the end of that night, he realizes that the person who was once loved will never leave ......

Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.

One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

On the 29th lunar New Year's Eve of the twelfth lunar month of a certain year, it was getting late in Guangzhou. A trance-looking boy drove through the urban jungle, wandering alone on the streets, waiting to meet his girlfriend a few years ago, expecting a result to happen. In an old town, a middle-aged woman brought a girl along the street to beg for food. At the gate of a certain community, they encountered a middle-aged man who was driving around after drinking and eating. The man invited them to have a barbecue at a roadside stall and made a suggestion. In a hospital, two security guards were bored at the gate. After work, I decided to go to a certain village in a city and village to win money after work. Unexpectedly, the night was getting thicker and the flow of people was surging. The Spring Festival Gala is going on grandly, and the air is full of noise and anxiety, three realities Event, tearing apart the absurd reality of the crazy city•••

The C-list TV actor Jonnie Zhang decides to change career as an estate agent. While preparing for the interview, he hires a cleaner to tidy up his long non-visited mansion. A cleaner receives a task to a vacant house, and she decides to stay over night realizing that the bus service has been suspended. Out of every clue hidden in the house, she fantasizes its whole family and secrets, along with her own previous life she comes across.

Ma Wankun, a 13 years old teenager, was under pressure from the high school entrance exam. His parents arranged him to take part in an already-decided badminton match to gain extra points. However, Ma Wankun wanted to quit the competition in his own way, which was opposed by his parents and teachers.

Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.

A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.

Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.

The work reflects on the relationship between technology and us by constructing an advanced technological product from the future. This future product will replace people's worship and spiritual sustentation of the power of gods and Buddhas in religion with technology, turning the invisible into visible. This paper probes into the possibility and influence of the deification of technology in the future, and puts forward the solution of "love, nostalgia and nature" to relieve the pain caused by the excessive intervention of technology.

A series of processes weave a dragnet, covering the lives of animals, and also trapped in the future of human beings. If we exchange identities with animals, will you choose to suffer or fight?

The film tells about an artist named Banpo, who suddenly returned to Songzhuang one day in 2019, silently packed hundreds of his paintings, packed his luggage, attended the worship service, watched an exhibition, and then said goodbye to his old friends. Finally, he completely left the story of Songzhuang in a quiet early morning. This story seems to be during the process of documenting artist Banpo moving out，the director reveal a huge change in the environment the artist lived in. As if the artist Banpo has foreseen the turmoil of 2020(as Coronavirus epidemic spreading across the world, a massive demolition began at Songzhuang Art District. Many artists, like Banpo, have left Songzhuang. The small town once was famous for Chinese contemporary art 20 years ago, is now gone.)

This video work is a fictional online Feng Shui guideline. A Feng Shui master on-screen in connecting to a person's brain to observe the image fragments in it and, based on that, try to give advice. It turns out to become a dispute between the two. Composed with images from real places like modern residences, high-speed train stations, national enterprises in mid of change, and mining factories, the video gives a dizzying visual effect. The artist narrates the words mixed with humorous, personal, and authoritarian languages. The work concerns the complex relationship between medium, feelings and narratives, and how a personal destiny can be narrated in relation to specific spatial-physicality.

An 8-year-old boy searching for fireworks on a Chinese New Year's Eve, after the firework ban is introduced in this southern Chinese town.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.