I Should Call Her

A microscopic view into American youth in suburbia through the eyes of Robert, a young man who becomes fixated on his own identity after moving back to his small Texas town.

Mountainous images accompanied by the song "Suzanne" by Leonard Cohen.

Erin. He thinks he's in 4th period math. Oh he's wrong

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

David’s beach experience within a motion image.

A perspective on everyday things.

A visual and auditory inferno

Megan, an aspiring model living in South Florida, reflects upon her dreams for the future and her turbulent relationship with her mother on her 16th birthday.

A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.

La otra mirada

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

Ophelia

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

"A girl wakes up as a blank slate in front of a white wall. Unable to control her nighmarish reality, she turns into something else."

No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

A short film by Bryce Hodgson.

A young man becomes inundated by strange visions and a local homeless man while he and his acquaintances deal with the aftermath of a major disappearance in their city.