Matisse: A Sort of Paradise

Oskar Kokoschka : Portraits européens

Olev Subbi (1930–2013) was one of the most significant painters of the second half of the 20th century. His art constantly strived for harmony and beauty, reviving lost memories. This documentary reconstructs the environments of his paintings, features interviews with artists and Subbi’s contemporaries, and incorporates archival footage, creating a multilayered perspective on the life and work of this remarkable artist.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Sulawesi - Am Anfang war die Höhlenmalerei

Hinter dem Vorhang: Das Geheimnis Vermeer

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

A documentary about Tintoretto.

We immerse ourselves in a quest for the origins of Art, among the very first modern humans. The prehistoric works, of incredible richness and diversity, tell a story of beauty and the species. Researchers, including archaeologists, but also art historians, philosophers and contemporary artists, enrich our view of prehistoric art with their different, but also complementary, points of view on the subject.

Goya, tiempo y recuerdo de una época

Der Schatz von Timbuktu, die Geschichte einer Rettung

An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.

The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

Documentary about the history of 20th century globalization through the lens of the World Trade Organization's changing art collection; from works of human subjects showcasing the potential of dignified labor, to their replacement with abstract maps and grids for the valorization of the modern trade system.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

In 1937, the Nazi regime launched its war on modernity, branding artists like Picasso, Chagall, Van Gogh, and Matisse as “degenerate”. Their works were banned, destroyed, or mocked in grotesque exhibitions, while Aryan ideals were glorified in state-sponsored shows. Framed by a major new exhibition at the Musée Picasso in Paris, the documentary revisits this ideological assault through rare footage, suppressed artworks, and the voices of curators and survivors. It broadens its scope to music, literature, and architecture, exposing how the Reich targeted all forms of dissenting expression. A timely meditation on repression, resistance, and the enduring fight for creative freedom.

From 1853, Japan opens up to the West. Numerous works of art and woodcuts find their way to Europe. The Impressionists and later the European artistic avant-garde succumb to this one passion: Japonism. 150 years after the beginning of the Meiji period in 1868, the film traces the connections between Japan and the Western world.

Raphael: The Young Prodigy tells the story of the artist from Urbino, beginning with his extraordinary early portraits of women - the Mother, the Friend, the Secret Lover and the Client. Delve into Raphael’s uncanny ability to capture celestial beauty, and to focus his gaze beyond the physicality and into the psychology of his subjects (some real, some imaginary) so that their personalities explosively emerge from his canvas. With fascinating contributions from internationally renowned experts, this documentary will uncover the most significant people and places and inspirations in the life and times of Raphael – a Renaissance leader and one of the most spectacular painters in history.

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

The painter Alfons Mucha and his Slovanská epopej are the subject of a story by Zdeněk Mahler. After long debates and disputes, the work is currently on display at the National Gallery, in the Trade Fair Palace in Prague.